《晚安,甜蜜的蓝调》和艾达·考克斯的遗产:66号公路上的爵士乐、女性和经纪公司(1961)

Q4 Arts and Humanities Film and History Pub Date : 2022-01-03 DOI:10.1353/flm.2021.0006
P. Devlin
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引用次数: 0

摘要

一部大型电视剧的一集对美国历史有多重要?如果时间是1961年,主题是爵士乐,那么以黑人角色和黑人音乐为主题的一集,就可能预示着大众意识发生了令人惊讶的转变,尽管这种转变仍然很复杂。《晚安,甜蜜的蓝调》(Good Night, Sweet Blues)是1961年10月6日在哥伦比亚广播公司(CBS)电视剧《66号公路》(Route 66, 1960-64)中播出的以爵士和蓝调为主题的一集。这一插曲发生在艾达·考克斯发行了她的复出专辑《城墙街的蓝调》(1961年4月在《纽约客》上录制并报道,并于夏末发行)之后,其中包括科尔曼·霍金斯五重奏。在这部电视剧中,这五重奏为歌手埃塞尔·沃特斯(Ethel Waters)饰演的珍妮·亨德森(Jennie Henderson)这个角色助阵。然而,这一集并没有重现《Blues for Rampart Street》专辑制作过程的真实故事
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"Good Night, Sweet Blues" and the Legacy of Ida Cox: Jazz, Women, and Agency in Route 66 (1961)
ow important can a single episode of a major television drama series be to American history? If the year is 1961, and the subject is jazz, then one episode, featuring black characters and black music, can signal a surprising, if still complicated, shift in popular consciousness. “Good Night, Sweet Blues” was a jazz-and-blues-themed episode, aired on October 6, 1961, in the CBS television drama series Route 66 (1960-64). The episode appeared just after Ida Cox had released her comeback album, Blues for Rampart Street (recorded and reported on in the New Yorker in April 1961 and released in late summer), which featured the Coleman Hawkins Quintet. In the television show, the quintet backs the character of Jennie Henderson, played by the singer Ethel Waters. However, instead of replicating the true story of how the album Blues for Rampart Street was produced, the episode
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Film and History
Film and History Arts and Humanities-Visual Arts and Performing Arts
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