史蒂维在康拉德的《特工》中扮演革命者

IF 0.1 3区 文学 0 LITERATURE TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2022-12-01 DOI:10.7560/tsll64405
Show-Ling Jang, John G. Peters
{"title":"史蒂维在康拉德的《特工》中扮演革命者","authors":"Show-Ling Jang, John G. Peters","doi":"10.7560/tsll64405","DOIUrl":null,"url":null,"abstract":"ABSTRACT:Critics almost universally considered Stevie in Joseph Conrad's The Secret Agent as an unwitting victim of the Greenwich explosion. But we argue that because Conrad provides so little access to Stevie's mind there is much ambiguity concerning his role that has previously gone unremarked. Stevie may be an unwitting victim, but there are also a number of suggestions that he knows what he is doing when he places the bomb. Stevie, unlike the nominal revolutionaries in the novel, is the one character who actually performs a revolutionary act. In this contrast between possible unwitting victim / possible witting actor and witting nonactor, Conrad considers the question of who is a revolutionary.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"64 1","pages":"437 - 454"},"PeriodicalIF":0.1000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Stevie as Revolutionary in Joseph Conrad's The Secret Agent\",\"authors\":\"Show-Ling Jang, John G. Peters\",\"doi\":\"10.7560/tsll64405\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:Critics almost universally considered Stevie in Joseph Conrad's The Secret Agent as an unwitting victim of the Greenwich explosion. But we argue that because Conrad provides so little access to Stevie's mind there is much ambiguity concerning his role that has previously gone unremarked. Stevie may be an unwitting victim, but there are also a number of suggestions that he knows what he is doing when he places the bomb. Stevie, unlike the nominal revolutionaries in the novel, is the one character who actually performs a revolutionary act. In this contrast between possible unwitting victim / possible witting actor and witting nonactor, Conrad considers the question of who is a revolutionary.\",\"PeriodicalId\":44154,\"journal\":{\"name\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"volume\":\"64 1\",\"pages\":\"437 - 454\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/tsll64405\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/tsll64405","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0

摘要

摘要:评论家们普遍认为,约瑟夫·康拉德的《特工》中的史蒂维是格林尼治爆炸案的一名不知情的受害者。但我们认为,由于康拉德很少能进入史蒂维的脑海,因此他之前所扮演的角色有很多模糊之处。史蒂维可能是一个不知情的受害者,但也有很多迹象表明,他知道自己放置炸弹时在做什么。与小说中名义上的革命者不同,史蒂维是一个真正从事革命行为的角色。在这种可能不知情的受害者/可能有意的演员和有意的非演员之间的对比中,康拉德考虑了谁是革命者的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Stevie as Revolutionary in Joseph Conrad's The Secret Agent
ABSTRACT:Critics almost universally considered Stevie in Joseph Conrad's The Secret Agent as an unwitting victim of the Greenwich explosion. But we argue that because Conrad provides so little access to Stevie's mind there is much ambiguity concerning his role that has previously gone unremarked. Stevie may be an unwitting victim, but there are also a number of suggestions that he knows what he is doing when he places the bomb. Stevie, unlike the nominal revolutionaries in the novel, is the one character who actually performs a revolutionary act. In this contrast between possible unwitting victim / possible witting actor and witting nonactor, Conrad considers the question of who is a revolutionary.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
50.00%
发文量
14
期刊最新文献
About Our Cover Art Roles That Contain and Restrain: Kazuo Ishiguro’s The Remains of the Day, Klara and the Sun, and Living Love as Subjectification in Kazuo Ishiguro’s Never Let Me Go Archive Notes: An Introduction to the Kazuo Ishiguro Papers Emotional Repression in Kazuo Ishiguro’s Klara and the Sun
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1