乔叟《坎特伯雷故事集》中的礼拜时间

IF 0.3 3区 文学 N/A LITERARY THEORY & CRITICISM Critical Survey Pub Date : 2022-03-01 DOI:10.3167/cs.2021.340104
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引用次数: 0

摘要

礼拜仪式在本质上是公共的,在中世纪基督教时间经济的背景下,它们被发展和利用来量化、圣化、控制、利用和统一时间,以全面结束社会的福利,无论是在这里还是在这里。礼拜仪式是一种社会制度,其功能是纪念、圣日、节日和仪式,这些都是中世纪社会完整性的手段。在社会政治经济和伦理生活中,中世纪教会通过礼仪将神圣与世俗联系起来。它们被用来冥想,以及测量时间,可以说,它们被用来模仿或讽刺中世纪社会严格的等级制度。虽然乔叟的《坎特伯雷故事集》是他那个时代最不具礼仪性的书之一,但它却以朝圣的礼仪制度为框架。它实际上是一部朝圣者游记,描绘了礼拜仪式的世俗化及其对社会控制的挪用,矛盾的是,它是对社会等级颠倒的狂欢式庆祝。
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Liturgical Time in Chaucer’s Canterbury Tales
Liturgies are communal in nature, and in the context of the medieval Christian economy of time they are developed and utilised to quantify, consecrate, control, utilise and unify time for the comprehensive end of the welfare of the society, both in the Here and in the Here-after. The liturgy was a social institution, and functioned for anniversaries, holy days, holidays and rituals that were the means of medieval social integrity. In the economy of socio-political and ethical life, the medieval Church linked the sacred to the secular by means of the liturgy. They were used for meditation, as well as a measurement of time, and arguably they were manipulated to parody or satirise the strictly hierarchal estates of the medieval society. Though one of the least liturgical books of his time, Chaucer’s Canterbury Tales is framed by the liturgical institution of the pilgrimage. Actually a pilgrim travelogue, it depicts the secularisation of liturgy and its appropriation for social control, and paradoxically, a carnivalesque celebration of the reversal of social hierarchy.
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来源期刊
Critical Survey
Critical Survey LITERARY THEORY & CRITICISM-
CiteScore
0.20
自引率
0.00%
发文量
40
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