缅怀奴隶制:托尼·莫里森的《宠儿》(1987)和康塞奥·埃瓦里斯托的《PonciáVicêncio》(2003)中的代际记忆和创伤

IF 0.2 3区 文学 0 LITERATURE Contemporary Womens Writing Pub Date : 2019-12-31 DOI:10.1093/cww/vpaa002
Luana de Souza Sutter
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引用次数: 0

摘要

本文探讨了托尼·莫里森的《宠儿》与2003年由非裔巴西作家康塞奥·埃瓦里斯托撰写的最新出版物《PonciáVicêncio》在表达记忆和创伤方面的相似之处。它考察了小说对奴隶制创伤的阐释,以及奴隶后代在重新呈现创伤家族历史方面的创造性投资。考虑到这一点,它建议对Beloved和PonciáVicêncio进行比较解读,首先关注他们对创伤化身的表现;第二,关于他们各自的记忆和记忆思想的概念&或pensamentos lembranças;第三,关于后代通过角色Denver和Ponciá参与对家族历史叙事的修正。
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Rememorying Slavery: Intergenerational Memory and Trauma in Toni Morrison’s Beloved (1987) and Conceição Evaristo’s Ponciá Vicêncio (2003)
This paper looks at parallels in the articulation of memory and trauma between Toni Morrison’s Beloved and the more recent publication Ponciá Vicêncio, written in 2003 by the Afro-Brazilian writer Conceição Evaristo. It examines the novels’ illustration of slavery trauma and the creative investment of descendants of slaves in re-presenting traumatic family history. With this concern, it proposes a comparative reading of Beloved and Ponciá Vicêncio, focusing, first, on their representations of the embodiment of trauma; second, on their respective concepts of rememory and memory-thoughts – or pensamentos-lembranças; and third, on the descendants’ engagement with the revision of narratives of family past, through the characters Denver and Ponciá.
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