{"title":"约翰·吉尔伯特为《堂吉诃德》画的画。装饰萨加德洛斯皇家工厂陶器的肖像模型","authors":"Natalia Fraguas Fernández","doi":"10.3989/anacervantinos.2020.003","DOIUrl":null,"url":null,"abstract":"The Real Fábrica de Sargadelos (Cervo-Lugo), one of the most relevant ceramic centres in the industrial panorama of the 19th century in Spain, introduced on its third stage (18451862) a new decorative serie whose main goal was reproducing, with stamping technique, different scenes of Don Quixote. The serie was considered by many as one of the most * Museo de Pontevedra. natalia.fraguas@depo.es / ORCID iD: https://orcid.org/0000-00025970-3603.","PeriodicalId":42774,"journal":{"name":"ANALES CERVANTINOS","volume":"52 1","pages":"57-86"},"PeriodicalIF":0.1000,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Los dibujos de John Gilbert para el Quijote. Modelo iconográfico para la decoración de las lozas de la Real Fábrica de Sargadelos\",\"authors\":\"Natalia Fraguas Fernández\",\"doi\":\"10.3989/anacervantinos.2020.003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Real Fábrica de Sargadelos (Cervo-Lugo), one of the most relevant ceramic centres in the industrial panorama of the 19th century in Spain, introduced on its third stage (18451862) a new decorative serie whose main goal was reproducing, with stamping technique, different scenes of Don Quixote. The serie was considered by many as one of the most * Museo de Pontevedra. natalia.fraguas@depo.es / ORCID iD: https://orcid.org/0000-00025970-3603.\",\"PeriodicalId\":42774,\"journal\":{\"name\":\"ANALES CERVANTINOS\",\"volume\":\"52 1\",\"pages\":\"57-86\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-12-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ANALES CERVANTINOS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3989/anacervantinos.2020.003\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ANALES CERVANTINOS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3989/anacervantinos.2020.003","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
摘要
西班牙19世纪工业全景中最相关的陶瓷中心之一Real Fábrica de Sargadelos（Cervo Lugo）在其第三阶段（18451862）推出了一个新的装饰系列，其主要目标是用冲压技术再现堂吉诃德的不同场景。该系列被许多人认为是最伟大的蓬特韦德拉博物馆之一。natalia.fraguas@depo.es/OCID iD：https://orcid.org/0000-00025970-3603.
Los dibujos de John Gilbert para el Quijote. Modelo iconográfico para la decoración de las lozas de la Real Fábrica de Sargadelos
The Real Fábrica de Sargadelos (Cervo-Lugo), one of the most relevant ceramic centres in the industrial panorama of the 19th century in Spain, introduced on its third stage (18451862) a new decorative serie whose main goal was reproducing, with stamping technique, different scenes of Don Quixote. The serie was considered by many as one of the most * Museo de Pontevedra. natalia.fraguas@depo.es / ORCID iD: https://orcid.org/0000-00025970-3603.
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