bogota城市发展中身体的社会生产、社会分化与边缘化

IF 0.1 Q4 SOCIAL ISSUES Revista Ciencias Sociales y Educacion Pub Date : 2020-12-02 DOI:10.22395/CSYE.V9N18A6
Éder Alexánder García Dussán
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引用次数: 1

摘要

自19世纪以来,波哥大市以审美教育(美学)推动的现代感性繁荣为特征。这种教育功能,由一群有文化的人执行,允许不同的和不平等的主体共同建设和延续,因此,具有不同生活方式的边缘化。就这样,这个城市被分成了一个普通的、暴力的城镇,与有品位的、有风度的、说话语调正确的人相对立;这与敏感和不敏感的人之间的二分法是一样的。考虑到这一点,研究的目的是分析这种物质形成的一些影响,集中在1982年,世界知道加布里埃尔García Márquez是如何获得诺贝尔文学奖的争议中。这使得研究得出结论,仍然存在社会主体的划分,作为社会认识论基础,可以从认识论暴力或非法情结的概念来解释。
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Producción social de cuerpos, divisiones sociales y marginación en el desarrollo urbano de la ciudad de Bogotá
Since the XIXth century, Bogota City has characterized for the boom of a modern sensibility promoted by an aesthetic education (aisthesis). This educational function, carried out by a group of literates allowed the co-construction and perpetuation of different and unequal subjects, and thus, a marginality with dissimilar ways of life. That is how the city was divided into a ordinary and violent town that was opposed to fine taste people, with touch, well mannered and with a correct speech tone; which is the same dichotomy than between sensitive and insensitive people. Taking this into account, the research purpose is to analyze some of the effects of this corporeal formation, centering efforts in the controversy raised when, in 1982, the world knew how Gabriel García Márquez was awarded the Nobel Prize in Literature. This allows the research to conclude that there still is a division of social subjects anchored as a social epistemological base that could be interpreted from the concepts of epistemic violence or illegitimacy complex.
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