走向:在女族长起义节中播种联系

IF 0.2 3区 艺术学 N/A THEATER CANADIAN THEATRE REVIEW Pub Date : 2022-11-01 DOI:10.3138/ctr.192.015
Daisy Thompson
{"title":"走向:在女族长起义节中播种联系","authors":"Daisy Thompson","doi":"10.3138/ctr.192.015","DOIUrl":null,"url":null,"abstract":"Abstract:Matriarchs UprisingFestivalwas founded and is curated by mixed Anishinaabe, French-Canadian, and Welsh dance artist Olivia C. Davies. Birthed to gather and to present the works of Indigenous women artists who create within the realm of contemporary dance, the inaugural festival took place in 2019 on the ancestral and unceded Indigenous territories of the məθkʷəỷəm, sḵwx̱wú7mesh, and seỉíỉwitulh First Nations (Vancouver), at the Scotiabank Dance Centre. Within this review, I weave the thinking, praxis, and voices of Olivia C. Davies and the many artists who have been housed within Matriarchs Uprising. I speak of the festival being a container of attuned connection to empowered living.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reaching Toward: Seeding Connection within the Matriarchs Uprising Festival\",\"authors\":\"Daisy Thompson\",\"doi\":\"10.3138/ctr.192.015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Matriarchs UprisingFestivalwas founded and is curated by mixed Anishinaabe, French-Canadian, and Welsh dance artist Olivia C. Davies. Birthed to gather and to present the works of Indigenous women artists who create within the realm of contemporary dance, the inaugural festival took place in 2019 on the ancestral and unceded Indigenous territories of the məθkʷəỷəm, sḵwx̱wú7mesh, and seỉíỉwitulh First Nations (Vancouver), at the Scotiabank Dance Centre. Within this review, I weave the thinking, praxis, and voices of Olivia C. Davies and the many artists who have been housed within Matriarchs Uprising. I speak of the festival being a container of attuned connection to empowered living.\",\"PeriodicalId\":42646,\"journal\":{\"name\":\"CANADIAN THEATRE REVIEW\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CANADIAN THEATRE REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/ctr.192.015\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CANADIAN THEATRE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/ctr.192.015","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0

摘要

摘要:Matriarchs UprissingFestival由法裔加拿大人Anishinaabe和威尔士舞蹈艺术家Olivia C.Davies共同创立并策划。首届艺术节旨在聚集和展示在当代舞蹈领域进行创作的土著女艺术家的作品,于2019年在祖先和未经宣布的土著领地mşθkʷş举行ỷμm,sḵwx̱wú7mesh和seỉíỉ在加拿大丰业银行舞蹈中心,维图尔赫第一民族(温哥华)。在这篇评论中,我编织了奥利维亚·C·戴维斯的思想、实践和声音,以及许多在女族长起义中生活过的艺术家。我说这个节日是一个与赋权生活和谐联系的容器。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Reaching Toward: Seeding Connection within the Matriarchs Uprising Festival
Abstract:Matriarchs UprisingFestivalwas founded and is curated by mixed Anishinaabe, French-Canadian, and Welsh dance artist Olivia C. Davies. Birthed to gather and to present the works of Indigenous women artists who create within the realm of contemporary dance, the inaugural festival took place in 2019 on the ancestral and unceded Indigenous territories of the məθkʷəỷəm, sḵwx̱wú7mesh, and seỉíỉwitulh First Nations (Vancouver), at the Scotiabank Dance Centre. Within this review, I weave the thinking, praxis, and voices of Olivia C. Davies and the many artists who have been housed within Matriarchs Uprising. I speak of the festival being a container of attuned connection to empowered living.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.30
自引率
33.30%
发文量
54
期刊最新文献
Some Must Watch While Some Must Sleep: An Impromptu Text Thread 1939 Reflections on Adaptation, Indigenous Theatre, and Shakespeare’s Legacy If Not Democratic Holy Moly Creation Practices in Participatory Performance
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1