文化产品进口监管制度(EU) 2019/880:四个潜在陷阱

Q2 Arts and Humanities Santander Art and Culture Law Review Pub Date : 2021-12-31 DOI:10.4467/2450050xsnr.21.017.15262
Anna de Jong
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引用次数: 0

摘要

本文认为,需要对法规(EU) 2019/880及其实施进行审查,以实现其目标。第(EU) 2019/880号条例旨在通过规范文化产品进口到世界上最大的艺术市场之一,保护文化遗产,防止洗钱和恐怖主义融资。然而,该条例在各种问题上存在若干缺点。本文分析了其中的四个问题,从法规(EU) 2019/880的创建过程开始,以及对其基于(太少)证据的主要批评。此外,还关注了在欧洲范围内实施条例(EU) 2019/880的必要性、使用1970年《教科文组织公约》定义来定义文化产品所造成的复杂性,以及使用“创造或发现国”概念的实际后果。根据这些发现,文章质疑当前形式的法规是否可能产生预期的效果。
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The Cultural Goods Import Regime of Regulation (EU) 2019/880: Four Potential Pitfalls
This article argues that Regulation (EU) 2019/880 and its implementation will need to be reviewed in order to reach its goals. Regulation (EU) 2019/880 seeks to protect cultural heritage and prevent money laundering and terrorism financing by regulating the import of cultural goods into one of the largest art markets in the world. The Regulation however suffers from several shortcomings with respect to various issues. The article analyses four of these issues, starting with the process of creation of Regulation (EU) 2019/880 and the main critique of it being based on (too) little evidence. Moreover, attention is paid to the necessary practicalities of the European-wide implementation of Regulation (EU) 2019/880, the complexity caused by the use of the 1970 UNESCO Convention definitions to define cultural goods, as well as the practical ramifications of the use of the concept “country of creation or discovery”. Drawing on these findings the article questions whether this Regulation in its current form is likely to have its intended effects.
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Santander Art and Culture Law Review
Santander Art and Culture Law Review Arts and Humanities-Visual Arts and Performing Arts
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