{"title":"布伦特·索尔特。美国剧院版权谈判：1856-1951","authors":"George Pate","doi":"10.3138/md-66-2-rev7","DOIUrl":null,"url":null,"abstract":"Negotiating Copyright in the American Theatre: 1856–1951 offers a nuanced exploration of the legal negotiations that shaped American theatre and authors’ rights therein. The book’s meticulous, granular investigation into these negotiations yields both a compelling narrative and a multilayered account of their ideological, legal, cultural, and social stakes.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Brent Salter. Negotiating Copyright in the American Theatre: 1856–1951\",\"authors\":\"George Pate\",\"doi\":\"10.3138/md-66-2-rev7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Negotiating Copyright in the American Theatre: 1856–1951 offers a nuanced exploration of the legal negotiations that shaped American theatre and authors’ rights therein. The book’s meticulous, granular investigation into these negotiations yields both a compelling narrative and a multilayered account of their ideological, legal, cultural, and social stakes.\",\"PeriodicalId\":43301,\"journal\":{\"name\":\"MODERN DRAMA\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MODERN DRAMA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/md-66-2-rev7\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MODERN DRAMA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/md-66-2-rev7","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
Brent Salter. Negotiating Copyright in the American Theatre: 1856–1951
Negotiating Copyright in the American Theatre: 1856–1951 offers a nuanced exploration of the legal negotiations that shaped American theatre and authors’ rights therein. The book’s meticulous, granular investigation into these negotiations yields both a compelling narrative and a multilayered account of their ideological, legal, cultural, and social stakes.
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