音乐态度与音乐学习潜力测试——Edwin Gordon的研究与测试

Riccardo Nardozzi
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引用次数: 1

摘要

本文以美国音乐教师和心理学家Edwin Gordon(1927-2015)的研究为重点,对“音乐才能”和“音乐才能测试”这两个主题进行了综述。在简要回顾了关于“音乐性”起源的争论,以及音乐才能测试的历史和该领域的早期实验形式之后,本文更深入地介绍了戈登的整个研究以及由此产生的猜测、想法、发现和调查:音乐才能的来源和发展、其性质和特征,听觉是“基于对音乐的句法理解的音乐思维”,以及音乐能力测试(MAP、AMMA、PMMA、IMMA、AUDIE)。对测试的批评和研究进行最后的审视,将把反思带回评估和教育,这两个领域今天正在重新流行起来。
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Attitudine musicale e verifica del potenziale di apprendimento in musica: la ricerca e i test di Edwin Gordon
This article provides a general overview on the theme of ‘musical aptitude’ and ‘musical aptitude test’, with a focus on the research of American music teacher and psychologist Edwin Gordon (1927-2015). After a quick look at the debate on the origins of 'musicality', and on the history of music aptitude tests and early forms of experimentation in this domain, the article goes more in-depth about the entire research of Gordon and the resulting speculations, ideas, discoveries, and investigations: the source and development of music aptitude, its nature and characteristics, audiation as 'musical thought based on a syntactic understanding of music', and music aptitude tests (MAP, AMMA, PMMA, IMMA, AUDIE). A final look at criticism and research about the tests will bring the reflection back to evaluation and education, a pair that is reganing currency today.
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