爱沙尼亚1960年的“小歌唱革命”:从自发的实践到意识形态的操纵

IF 0.2 Q2 HISTORY East Central Europe Pub Date : 2022-10-19 DOI:10.30965/18763308-49020002
Aigi Rahi-Tamm
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引用次数: 0

摘要

文章介绍了1960年7月在塔林举行的第15届“苏维埃爱沙尼亚20年”庆典,约有3万人参加。在节日期间,唱诗班开始主动唱流行歌曲和禁歌,导致节日被称为“小歌唱革命”。这是一个变革的时代,当局和人民都在试探什么是允许的,什么是禁止的。由于歌曲的信息在影响人们方面发挥着重要作用,当局希望利用歌曲节日的传统来实现自己的利益。赫鲁晓夫的新文化政策的目标是向西方推广苏联的成功模式,并激活对外关系。文化交流的中介需要打破波罗的海流亡者中普遍存在的反苏态度,为此目的采用了多种策略。本文分析了爱沙尼亚和流亡社区中人民意志的不同表现,以及当局的措施和操纵。因此,在1960年的背景下,各种各样的社会控制实践展开了,从相互支持的倡议到反对国家监视和排斥。
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The Estonian “Little Singing Revolution” of 1960: From Spontaneous Practices to Ideological Manipulations
The article covers the 15th General Song Festival “20 Years of Soviet Estonia,” held in Tallinn in July 1960, with about 30,000 participants. During the festival, the choirs started to sing popular songs and banned songs on their own initiative, leading to the festival being called “a small singing revolution”. It was a time of changes when both the authorities and the people were testing the limits of what was allowed and forbidden. As the message of songs plays an important role in influencing the people, the authorities hoped to exploit the song festival tradition in their own interest. The goal of Khrushchev’s new cultural policy was to promote the Soviet model for success to the West and to activate foreign relations. The intermediation of cultural contacts required breaking the anti-Soviet attitudes prevailing among the Baltic exiles, and for this purpose diverse tactics were applied. The article analyses the different manifestations of the people’s will both in Estonia and among the exile community as well as the measures and manipulations of the authorities. Thus, diverse practices of social control unfolded in the context of 1960 from initiatives to support each other to against state surveillance and exclusion.
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CiteScore
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23
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