{"title":"通过两次世界大战期间在塞尔维亚的俄罗斯移民的歌剧,对研究俄罗斯-塞尔维亚在宗教和宫廷绘画和建筑方面的联系做出了贡献:采用俄罗斯模式的例子","authors":"Jelena Mežinski-Milovanović","doi":"10.2298/muz2028099m","DOIUrl":null,"url":null,"abstract":"Russian-Serbian cultural connections in a broader sense, represented through\n direct parallels in Russian and Serbian sacral painting, architectural\n decoration, sacral interior design and phenomen? in court art canons of the\n last Romanov?s and Karadjordjevic?s dynasties are insufficiently researched.\n By using the concrete monuments, mostly in Russian style, Russian symbolism\n and Art Nouveau, but also the court canon at the turn of the century in\n Russia through the works of Russian emigrants after the October revolution\n in Serbia during the 1920s and 1930s, the use of Russian pictorial features\n and cultural models adapted to Serbian demands is going to be demonstrated.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A contribution to researching Russian-Serbian connections in sacral and court painting and architecture through the opera of Russian emigrants in Serbia between the world wars: Examples of adopting Russian models\",\"authors\":\"Jelena Mežinski-Milovanović\",\"doi\":\"10.2298/muz2028099m\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Russian-Serbian cultural connections in a broader sense, represented through\\n direct parallels in Russian and Serbian sacral painting, architectural\\n decoration, sacral interior design and phenomen? in court art canons of the\\n last Romanov?s and Karadjordjevic?s dynasties are insufficiently researched.\\n By using the concrete monuments, mostly in Russian style, Russian symbolism\\n and Art Nouveau, but also the court canon at the turn of the century in\\n Russia through the works of Russian emigrants after the October revolution\\n in Serbia during the 1920s and 1930s, the use of Russian pictorial features\\n and cultural models adapted to Serbian demands is going to be demonstrated.\",\"PeriodicalId\":30174,\"journal\":{\"name\":\"Muzikologija-Musicology\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Muzikologija-Musicology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2298/muz2028099m\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muzikologija-Musicology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/muz2028099m","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
A contribution to researching Russian-Serbian connections in sacral and court painting and architecture through the opera of Russian emigrants in Serbia between the world wars: Examples of adopting Russian models
Russian-Serbian cultural connections in a broader sense, represented through
direct parallels in Russian and Serbian sacral painting, architectural
decoration, sacral interior design and phenomen? in court art canons of the
last Romanov?s and Karadjordjevic?s dynasties are insufficiently researched.
By using the concrete monuments, mostly in Russian style, Russian symbolism
and Art Nouveau, but also the court canon at the turn of the century in
Russia through the works of Russian emigrants after the October revolution
in Serbia during the 1920s and 1930s, the use of Russian pictorial features
and cultural models adapted to Serbian demands is going to be demonstrated.