通过两次世界大战期间在塞尔维亚的俄罗斯移民的歌剧,对研究俄罗斯-塞尔维亚在宗教和宫廷绘画和建筑方面的联系做出了贡献:采用俄罗斯模式的例子

IF 0.2 0 MUSIC Muzikologija-Musicology Pub Date : 2020-06-30 DOI:10.2298/muz2028099m
Jelena Mežinski-Milovanović
{"title":"通过两次世界大战期间在塞尔维亚的俄罗斯移民的歌剧,对研究俄罗斯-塞尔维亚在宗教和宫廷绘画和建筑方面的联系做出了贡献:采用俄罗斯模式的例子","authors":"Jelena Mežinski-Milovanović","doi":"10.2298/muz2028099m","DOIUrl":null,"url":null,"abstract":"Russian-Serbian cultural connections in a broader sense, represented through\n direct parallels in Russian and Serbian sacral painting, architectural\n decoration, sacral interior design and phenomen? in court art canons of the\n last Romanov?s and Karadjordjevic?s dynasties are insufficiently researched.\n By using the concrete monuments, mostly in Russian style, Russian symbolism\n and Art Nouveau, but also the court canon at the turn of the century in\n Russia through the works of Russian emigrants after the October revolution\n in Serbia during the 1920s and 1930s, the use of Russian pictorial features\n and cultural models adapted to Serbian demands is going to be demonstrated.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A contribution to researching Russian-Serbian connections in sacral and court painting and architecture through the opera of Russian emigrants in Serbia between the world wars: Examples of adopting Russian models\",\"authors\":\"Jelena Mežinski-Milovanović\",\"doi\":\"10.2298/muz2028099m\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Russian-Serbian cultural connections in a broader sense, represented through\\n direct parallels in Russian and Serbian sacral painting, architectural\\n decoration, sacral interior design and phenomen? in court art canons of the\\n last Romanov?s and Karadjordjevic?s dynasties are insufficiently researched.\\n By using the concrete monuments, mostly in Russian style, Russian symbolism\\n and Art Nouveau, but also the court canon at the turn of the century in\\n Russia through the works of Russian emigrants after the October revolution\\n in Serbia during the 1920s and 1930s, the use of Russian pictorial features\\n and cultural models adapted to Serbian demands is going to be demonstrated.\",\"PeriodicalId\":30174,\"journal\":{\"name\":\"Muzikologija-Musicology\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Muzikologija-Musicology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2298/muz2028099m\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muzikologija-Musicology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/muz2028099m","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0

摘要

更广泛意义上的俄罗斯-塞尔维亚文化联系,通过俄罗斯和塞尔维亚的骶骨绘画、建筑装饰、骶骨室内设计和现象的直接相似来表现?最后一个罗曼诺夫的宫廷艺术经典?s和Karadjordjevic?中国的王朝研究不足。通过使用混凝土纪念碑,主要是俄罗斯风格、俄罗斯象征主义和新艺术运动,以及20世纪20年代和30年代塞尔维亚十月革命后俄罗斯移民的作品,在俄罗斯世纪之交的宫廷正典,将展示俄罗斯绘画特征和文化模式的使用,以适应塞尔维亚的需求。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
A contribution to researching Russian-Serbian connections in sacral and court painting and architecture through the opera of Russian emigrants in Serbia between the world wars: Examples of adopting Russian models
Russian-Serbian cultural connections in a broader sense, represented through direct parallels in Russian and Serbian sacral painting, architectural decoration, sacral interior design and phenomen? in court art canons of the last Romanov?s and Karadjordjevic?s dynasties are insufficiently researched. By using the concrete monuments, mostly in Russian style, Russian symbolism and Art Nouveau, but also the court canon at the turn of the century in Russia through the works of Russian emigrants after the October revolution in Serbia during the 1920s and 1930s, the use of Russian pictorial features and cultural models adapted to Serbian demands is going to be demonstrated.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊最新文献
Sakharov, Kireevsky, Afanasyev and others: Stravinsky in the context of Russian folkloristics Expressiveness in Stravinsky’s late works Stravinsky and the post-war generation in France: Aspects of influence Corporeality and dance in the music of Igor Stravinsky Ideology, humanness, and value. On Adorno’s Stravinsky
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1