Noor Minah, Fatrawati Kumari
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引用次数: 1

摘要

本文考察了印度电影《Dangal》,该片取材于一个关于女性摔跤运动员所经历的性别不公的真实故事。这一事实鼓励了女子摔跤运动员为实现性别平等而进行的性别斗争。这部电影提出性别斗争问题的勇气需要用雅克·德里达的分析来调查。本研究运用定性描述的方法,结合德里达的哲学分析,发现了以下几点。首先,由于父权制度的强大,印度女性在摔跤领域经历了性别不平等。第二,存在着话语中心主义,即以男性权威为中心的对女性不利的思维逻辑。第三,存在着一种二元对立,即将女性与邪恶联系在一起,而将男性与善良联系在一起。第三,性别斗争以叙事斗争的形式揭示差异,即努力模糊女性传统身份的含义,然后解构父权制,最终在摔跤运动中实现性别平等。
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FILM DANGAL DALAM ANALISIS JACQUES DERRIDA
This paper examines the Indian film Dangal which is taken from a true story about gender injustice experienced by female wrestling athletes. This fact encourages women's wrestling athletes' gender struggle efforts that result in gender equality. The courage of this film to raise the issue of gender struggle needs to be investigated using Jacques Derrida's analysis. By using descriptive-qualitative method and Derrida's philosophical analysis, this research finds several things. First, there is gender inequality experienced by Indian women in the field of wrestling because of the strength of the patriarchal system. Second, there is logocentrism, namely the logic of thinking that is centered on male authority which is detrimental to women. Third, there is a binary opposition that attaches women to evil while men to good. Third, gender struggle in the form of narrative battles to reveal differance, namely efforts to blur the meaning of women's traditional identities followed by deconstruction of the patriarchal system which finally achieves gender equality in the sport of wrestling.
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