可视化的历史:朝鲜艺术的真实性

IF 0.7 3区 社会学 0 ASIAN STUDIES Journal of Korean Studies Pub Date : 2020-03-01 DOI:10.1215/07311613-7932298
M. Yoon
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引用次数: 2

摘要

摘要:在朝鲜绘画中,历史被动员起来,以使朝鲜制度及其领导人合法化。朝鲜绘画运用社会主义现实主义的模式,以社会主义世界为视觉形式,以金氏家族为中心,充满了不懈的英雄主义、丰收和幸福的乌托邦景象。在这些画作中,劳动者、工人、农民、儿童等积极的英雄人物被描绘在历史上正确的场景中,推动着朝鲜革命向前发展。朝鲜在借鉴苏联的社会主义现实主义之后,通过媒介和内容将这种创作方法本土化,以满足自己特定的政治需要。通过这一过程,社会主义现实主义反映了朝鲜主体思想的理想。本文以朝鲜的艺术理论著作和艺术评论为背景,通过主体现实主义的语言,研究了1985年和2000年创作的三幅画是如何在视觉上动员历史的。
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Visualizing History: Truthfulness in North Korean Art
Abstract:In North Korean paintings, history is mobilized to legitimate the North Korean system and its leaders. Utilizing the mode of socialist realism, North Korean paintings give visual form to a socialist world, a utopian vision full of unremitting heroism, harvest, and happiness centered on the ruling Kim family. In these paintings, positive heroes such as laborers, workers, farmers, and children are depicted in historically correct scenes that always propel the North Korean revolution forward. After adopting socialist realism from the Soviet Union, North Korea localized this creative method to meet its specific political needs through medium and content. Through this process, socialist realism came to reflect the ideals of juche, the state ideology of North Korea. Informed by North Korean theoretical writings on art and art reviews, this article examines how history is visually mobilized in three paintings created in 1985 and 2000 through the language of juche realism.
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