如何用数字做事:爱的劳动损失和数量的不确定性

IF 0.6 2区 文学 0 LITERATURE, BRITISH ISLES ENGLISH LITERARY RENAISSANCE Pub Date : 2022-01-01 DOI:10.1086/717200
B. Sheerin
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引用次数: 0

摘要

莎士比亚的《爱的劳动的迷失》中的动词和动词之间的不稳定关系——词语和事物——在读者和观众中得到了广泛的认可,但往往没有足够的伊丽莎白时代实际发生的相关理论讨论的背景。本文认为,该剧对编号和错误编号的痴迷可能是质疑其语言实验主义的一个富有成效的起点。毕竟,虽然16世纪的算术手册引入了关于数字指称性的新的符号学讨论,但伊丽莎白时代诗歌争议的一个突出部分围绕着格律数字在英语诗歌中如何变得有意义。特别是,古典语言和母语传统之间的争论往往涉及诗歌“数字”是否只是计算音节的抽象工具(算术),或者它是否有助于所使用语言的比例(算术)。莎士比亚的戏剧通过不断地将人物自己的诗歌创作与他们对如何用数字“做事”的滑稽困惑联系起来,间接地探讨了这场争论的理论利害关系,尤其是涉及语言的指称性。[B.S]
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How to Do Things With Numbers: Love’s Labour’s Lost and Quantitative Uncertainty
The unstable relationship between verba and res—words and things—in Shakespeare’s Love’s Labour’s Lost has been widely recognized among its readers and viewers, but often without sufficient context of relevant theoretical discussions actually occurring in the Elizabethan era. This essay proposes that the drama’s obsession with numbering and misnumbering might serve as a fruitful starting place for interrogating its linguistic experimentalism. After all, while sixteenth-century arithmetic manuals introduced new semiotic discussions about the referentiality of numbers, a prominent strand of Elizabethan poetic controversy revolved around how metrical numbers become meaningful within English-language verse. In particular, arguments between the classical and native-language traditions often concerned whether poetic “number” was merely an abstract tool for counting syllables (arithmos) or whether it contributed to the proportionality of the language being used (rithmos). Shakespeare’s play indirectly examines the theoretical stakes of this controversy—especially involving the referentiality of language—by continually linking the characters’ own creation of poetry to their comic confusion about how to “do things” with numbers. [B.S.]
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
28
期刊介绍: English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.
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