解放领土:九百蒙得维的亚的女性艺术生产

D. Tomeo
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摘要

艺术家。摘要本文回顾了19世纪下半叶至20世纪前十年乌拉圭女性造型艺术家的存在,揭示了当时社会允许女性参与造型领域的逻辑和场所
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Territorio liberado: la producción artística femenina en el Montevideo del Novecientos
artista. Abstract This article reflects on the presence of female plastic artists in Uruguay between the second half of the 19th century and the first decade of the 20 th century, reveal-ing the logics as well as the places from which the society of the time enabled the participation of women in the field of
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