丢神与丢鲁美的故事:西方与日本的文化冲突

Izumi Pub Date : 2018-12-05 DOI:10.14710/IZUMI.7.2.94-106
Z. Fadli
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引用次数: 0

摘要

(题目:《神上无比绍的Deus vs . ohirme:西方与日本的文化冲突》)《神上无比绍》是日本最著名的文学作品之一芥川龙之介。《神神无主教》是芥川在1922年创作的,讲述了在日本的基督教传教士奥冈提诺与一位老人的会面,这位老人是日本古代神灵之一的化身。本文的目的是揭示日本与西方的文化冲突是如何在《神上之毕寿》的短篇小说中被重构的。要实现这一目标,需要采取以下步骤。首先,对《神神无必寿》短篇小说中所包含的术语进行解释。其次,解释了短篇小说中两个人物的行为,他们与Greimas模型的官方方案相反,因为这种方案更容易理解人物的行为和动机。第三,对其中一个短篇小说结构要素的分析是一个主题,目的是理解整个短篇小说的本质和目的。第四,通过二元对立的呈现,进一步阐释西方与日本文化冲突的重构。在经历了这四个阶段之后,我们得出结论,芥川在《神上之毕绍》短篇小说中对文化冲突的重构是通过奥冈提诺角色与老男性角色的对话呈现出来的。通过Organtino人物和老男性人物围绕Deus vs Ohirume展开的对话,芥川间接传达了日本传统和文化不会因为外来文化的影响而被破坏的信息。
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DEUS VERSUS OHIRUME DALAM CERPEN KAMIGAMI NO BISHOU: BENTURAN BUDAYA ANTARA BARAT DENGAN JEPANG
(Title: Deus Versus Ohirume in Kamigami No Bishou: Cultural Clash Between West and Japan) The Kamigami no Bishou short story is one of the most famous Japanese literary works, Akutagawa Ryuunosuke. Kamigami no Bishou was created by Akutagawa in 1922 which tells the meeting of Organtino, a Christian missionary in Japan with an old man who was the embodiment of one of Japan's ancient gods. The purpose of this article is to reveal how the clash of cultures between the West and Japan was reconstructed in Kamigami no Bishou short stories. To achieve this goal, the following steps are taken. First, an explanation of the terms contained in the Kamigami no Bishou Short Story. Second, explained the actions of two figures in the short story that are in opposition to the Greimas model's official scheme because this scheme can make it easier to understand the actions and motivations of the characters. Third, the analysis of one of the short story structural elements is a theme with the aim of understanding the essence and purpose of the entire short story. Fourth, further explanation about the reconstruction of Western versus Japanese cultural clash which is explained by the presentation of binary opposition. After going through all four stages, it was concluded that the reconstruction of cultural clash in Kamigami no Bishou short stories was presented by Akutagawa in a conversation between the Organtino character and the old male character. Through a dialogue centered on Deus versus Ohirume carried out by Organtino figures and old male figures, Akutagawa indirectly wanted to convey the message that Japanese tradition and culture would not be destroyed due to influences from foreign cultures that entered. 
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