莱伯与斯托勒战后节奏蓝调音乐中的精英人文主义与多元文化主义

Q4 Arts and Humanities Jewish Culture and History Pub Date : 2022-04-03 DOI:10.1080/1462169X.2022.2066325
A. Katorza
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引用次数: 0

摘要

摘要本文通过对20世纪50年代和60年代初成功的R&B二人组合Jerry Leiber和Mike Stoller的个案研究,探讨了战后黑人与犹太在流行音乐领域的合作与美国种族政治之间的联系。这些犹太词曲作者和音乐制作人与非裔美国表演者合作进行了一些重要的历史工作。这篇文章讨论了Leiber和Stoller对战后多元文化主义的贡献,通过一种精英人文主义的具体融合,这种融合与美国犹太人在音乐行业的政治有关,因为他们比过去用来描绘的学术话语具有更具颠覆性的情感。
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Jerry Leiber and Mike Stoller’s elitist humanism and multiculturalism in postwar rhythm and blues music
ABSTRACT This article discusses the connection between the postwar Black-Jewish cooperation in popular music and American ethnic politics through the case study of Jerry Leiber and Mike Stoller – the successful duo R&B songwriters of the 1950s and early 1960s. These Jewish songwriters and music producers carried out some important historical work collaborating with Afro-American performers. The article discusses Leiber & Stoller’s contribution to postwar multiculturalism through a specific blend of elitist-humanism that relates to the politics of American Jews in the music industry as having much more subversive sensibilities than the academic discourse used to portray.
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来源期刊
Jewish Culture and History
Jewish Culture and History Arts and Humanities-History
CiteScore
0.20
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0.00%
发文量
26
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