托马斯·莫尔为亨利·阿宾登(1518)写的墓志铭中的韵律变化:从中世纪到文艺复兴时期

IF 0.2 3区文学 0 LANGUAGE & LINGUISTICS STUDIES IN PHILOLOGY Pub Date : 2023-06-01 DOI:10.1353/sip.2023.a903802

D. Carlson

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引用次数: 0

摘要

摘要:对1380-1520年间出版的盎格鲁-拉丁诗歌墓志铭语料库的分析表明，这一时期发生了从中世纪押韵的无韵诗(包括列昂诗和更复杂的多韵变体)到文艺复兴人文主义古典风格的无韵诗的转变，这一转变在1460年左右是不可逆转的。几乎在同一时间，托马斯·莫尔的人文主义同时代人开始练习非短格格的希腊罗马抒情诗格律，而莫尔本人并没有太多的文章;与此同时，他为实用音乐家亨利·阿宾登(Henry Abyngdon)写的两篇墓志铭，一篇是人文主义者，另一篇是对华丽押韵风格的模仿，这两篇墓志铭的含义取决于从中世纪到文艺复兴时期的韵律转变。

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Prosodic Change in Thomas More’s Epitaphs for Henry Abyngdon (1518): From Medieval to Renaissance

Abstract:Analysis of a corpus of Anglo-Latin verse epitaphs published in the period 1380–1520 establishes that a shift from medieval rhymed dactylic verse, including Leonines and more complex polyrhymed varieties, to Renaissance-humanist classical-style unrhymed verse occurred in the period, irreversible by about 1460. Near the same date, Thomas More’s humanist contemporaries began to practice types of non-dactylic Greco-Roman lyric meters that More himself did not much essay; meanwhile, his two epitaphs for the practical musician Henry Abyngdon, the one humanist, the other a parody of the ornate rhymed style, depend for their meaning on this prosodic shift from medieval to Renaissance.

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来源期刊

STUDIES IN PHILOLOGY Multiple-

CiteScore

0.30

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0.00%

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期刊介绍： Founded in 1903, Studies in Philology addresses scholars in a wide range of disciplines, though traditionally its strength has been English Medieval and Renaissance studies. SIP publishes articles on British literature before 1900 and on relations between British literature and works in the Classical, Romance, and Germanic Languages.