{"title":"《健全的历史:劳伦斯·盖勒特，黑人的音乐抗议和白人的否认》史蒂芬·p·加拉伯迪安著。阿默斯特:马萨诸塞大学出版社，2020年。","authors":"Alexander W. Cowan","doi":"10.1017/S175219632200044X","DOIUrl":null,"url":null,"abstract":"These songs … are of inestimable value, if they do nothing more than show that not all Negroes are shouting spirituals, cheering endowed football teams, dancing to the blues, or mouthing inter-racial oratory. Some of them are tired of being poor, and picturesque, and hungry. Terribly and bitterly tired (1).","PeriodicalId":42557,"journal":{"name":"Journal of the Society for American Music","volume":"17 1","pages":"86 - 88"},"PeriodicalIF":0.2000,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Sound History: Lawrence Gellert, Black Musical Protest, and White Denial By Steven P. Garabedian. Amherst: University of Massachusetts Press, 2020.\",\"authors\":\"Alexander W. Cowan\",\"doi\":\"10.1017/S175219632200044X\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"These songs … are of inestimable value, if they do nothing more than show that not all Negroes are shouting spirituals, cheering endowed football teams, dancing to the blues, or mouthing inter-racial oratory. Some of them are tired of being poor, and picturesque, and hungry. Terribly and bitterly tired (1).\",\"PeriodicalId\":42557,\"journal\":{\"name\":\"Journal of the Society for American Music\",\"volume\":\"17 1\",\"pages\":\"86 - 88\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the Society for American Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S175219632200044X\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the Society for American Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S175219632200044X","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
A Sound History: Lawrence Gellert, Black Musical Protest, and White Denial By Steven P. Garabedian. Amherst: University of Massachusetts Press, 2020.
These songs … are of inestimable value, if they do nothing more than show that not all Negroes are shouting spirituals, cheering endowed football teams, dancing to the blues, or mouthing inter-racial oratory. Some of them are tired of being poor, and picturesque, and hungry. Terribly and bitterly tired (1).
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