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{"title":"阿诺德·朔伯格的犹太创伤:《摩西与阿伦》中的美学、寓言与伦理学","authors":"M. Caplan","doi":"10.1353/mod.2021.0042","DOIUrl":null,"url":null,"abstract":"his PhD in comparative literature from NYU and currently holds a visiting professorship in Jewish Studies at Dartmouth College. He is the author of How Strange the Change: Language, Temporality, and Narrative Form in Peripheral Modernisms (Stanford University Press, 2011) and Yiddish Writers in Weimar Berlin: A Fugitive Modernism (Indiana University Press, 2021). modernism / modernity volume twenty eight, number three, pp 559–577. © 2021","PeriodicalId":18699,"journal":{"name":"Modernism/modernity","volume":"28 1","pages":"559 - 577"},"PeriodicalIF":0.3000,"publicationDate":"2021-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Arnold Schoenberg's Jewish Trauerspiel: Aesthetics, Allegory, and Ethics in Moses und Aron\",\"authors\":\"M. Caplan\",\"doi\":\"10.1353/mod.2021.0042\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"his PhD in comparative literature from NYU and currently holds a visiting professorship in Jewish Studies at Dartmouth College. He is the author of How Strange the Change: Language, Temporality, and Narrative Form in Peripheral Modernisms (Stanford University Press, 2011) and Yiddish Writers in Weimar Berlin: A Fugitive Modernism (Indiana University Press, 2021). modernism / modernity volume twenty eight, number three, pp 559–577. © 2021\",\"PeriodicalId\":18699,\"journal\":{\"name\":\"Modernism/modernity\",\"volume\":\"28 1\",\"pages\":\"559 - 577\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-11-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Modernism/modernity\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/mod.2021.0042\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Modernism/modernity","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mod.2021.0042","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
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Arnold Schoenberg's Jewish Trauerspiel: Aesthetics, Allegory, and Ethics in Moses und Aron
his PhD in comparative literature from NYU and currently holds a visiting professorship in Jewish Studies at Dartmouth College. He is the author of How Strange the Change: Language, Temporality, and Narrative Form in Peripheral Modernisms (Stanford University Press, 2011) and Yiddish Writers in Weimar Berlin: A Fugitive Modernism (Indiana University Press, 2021). modernism / modernity volume twenty eight, number three, pp 559–577. © 2021