“《巴勒斯坦塔木德》没有被伊门德斯的笔篡改”：澄清文本版本规则

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Zutot Pub Date : 2021-10-06 DOI:10.1163/18750214-bja10019

Shalem Yahalom

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引用次数: 0

摘要

本文将证明Nahmanides关于未修改的巴勒斯坦塔木德的声明与该作品中引用的来源有关。巴勒斯坦《塔木德》的优势源于该作品所遭受的忽视，这使它能够逃脱巴比伦《塔木德》的霸权，巴比伦《塔木德》的文本版本被强加于所有其他口头《托拉》作品。当然，这也源于巴勒斯坦的《塔木德》在时间和地点上都接近《密西拿》和《托塞塔》。这一优势使巴勒斯坦塔木德这些来源的训诂具有重要意义。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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‘The Palestinian Talmud Was Not Tampered with by the Pens of Emenders’: Clarifying a Textual Version Rule

This article will demonstrate that Nahmanides’s statement regarding the unamended Palestinian Talmud relates to the sources cited in that work. The advantage of the Palestinian Talmud stemmed from the neglect suffered by that work which enabled it to escape the hegemony of the Babylonian Talmud whose textual versions were imposed on all other Oral Torah works. Of course, it also stemmed from the proximity of the Palestinian Talmud in both time and place to the Mishnah and Tosefta. This advantage lent great significance to the exegesis of these sources in the Palestinian Talmud.

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来源期刊

Zutot HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

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0.00%

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期刊介绍： Zutot: Perspectives on Jewish Culture aims to fill a gap that has become more and more conspicuous among the wealth of scholarly periodicals in the field of Jewish Studies. Whereas existing journals provide space to medium and large sized articles, they neglect the small but poignant contributions, which may be as important as the extended, detailed study. The Zutot serves as a platform for small but incisive contributions, and provides them with a distinct context. The substance of these contributions is derived from larger perspectives and, though not always presented in an exhaustive way, will have an impact on contemporary discussions. The Zutot covers Jewish culture in its broadest sense, i.e. encompassing various academic disciplines—literature, languages and linguistics, philosophy, art, sociology, politics and history—and reflects binary oppositions such as religious and secular, high and low, written and oral, male and female culture.

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