流氓麻雀:性侵在中国电影中的表现、女权主义运动和“我也是”运动在中国的局限

IF 0.3 0 FILM, RADIO, TELEVISION Asian Cinema Pub Date : 2021-04-01 DOI:10.1386/AC_00033_1
Mirela David
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引用次数: 0

摘要

《流氓麻雀》打破了中国电影中的许多禁忌。这是第一部由中国女导演拍摄的国际知名纪录片,以调查中国性和女权活动家叶海燕的活动为中心,并探讨中国性侵这一政治敏感话题。这是第一项研究王南夫和叶海燕的激进主义和女权主义作品在新浪微博和推特上的电影贡献。我揭示了这部纪录片中的权力动态,以及电影制作人的主体性和女权活动家的主体性之间的相互作用。本研究还调查了中国电影中对性侵的男性美学表征如何模糊了同意问题,并展示了王南芙和屈等女性导演的主观能动性如何在中国电影中为性暴力带来更具影响力的表征。
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Hooligan Sparrow: Representation of sexual assault in Chinese cinema, feminist activism and the limits of #MeToo in China
Hooligan Sparrow breaks with many taboos in Chinese cinema. It is the first internationally acclaimed documentary by a Chinese female director to centre upon investigating the activities of Ye Haiyan, a Chinese sex and women’s rights activist, as well as to address the politically sensitive topic of sexual assault in China. This is the first study to examine the cinematic contributions of Wang Nanfu and Ye Haiyan’s activism and feminist writings posted on Ye’s online social media accounts on Sina Weibo and Twitter. I unpack the power dynamics in this documentary as well as the interplay between the filmmaker’s subjectivity and the female rights activist’s subjectivity. This study also investigates how masculine aesthetic representations of sexual assault in Chinese cinema have blurred the issue of consent and shows how the subjectivities of female directors like Wang Nanfu and Vivian Qu bring more impactful representations of sexual violence in Chinese cinema.
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来源期刊
Asian Cinema
Asian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.60
自引率
0.00%
发文量
6
期刊最新文献
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