电影和电影中的波苏战争:基于《为了你,波兰》(1920)和《维斯瓦河上的奇迹》(1921)电影的新视角

IF 0.1 3区 历史学 Q3 HISTORY ACTA POLONIAE HISTORICA Pub Date : 2022-01-12 DOI:10.12775/aph.2021.124.05
Karina Pryt
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引用次数: 0

摘要

波苏战争,特别是华沙战役(1920年8月13日至25日),很快成为传说和神话的主题。无论其根本政治意义如何,红军的失败在军事、意识形态和形而上学方面都被誉为对波兰和欧洲的救赎。叙事在学术界之外进行,主要由退伍军人、天主教会和各种形式的文学和艺术创作。由于政府补贴,纪录片和故事片也传达了对这些戏剧性事件及其参与者的规范概念。本文关注的是为纪念波兰人和布尔什维克之间的战争而制作的电影作品,如Dla Ciebie、Polsko[For You,o Poland,PL 1920]和Cud nad Wisłń[The Miracle on The Vistula,PL 1921]。这篇文章以标志性的转折点审视了这个波兰国家的电影自画像,这个国家已经被早期的文学作品“想象”为欧洲文化在东方的堡垒。聚焦那些在民族英雄万神殿中占有一席之地的主角,它还询问了那些像女性和犹太人一样被诋毁或边缘化的人。最后,本文以定量方法和地理信息系统(QGIS)为工具,将男性主导、种族和忏悔的同质“想象国家”与以多样性为特征的电影企业家和实际电影观众并置。
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Polish-Soviet War in Film and Cinema: A New Perspective Based on the Films For You, O Poland (1920) and Miracle on the Vistula (1921)
The Polish-Soviet War, particularly the Battle of Warsaw (13–25 August 1920), soon became a subject of legend and myth. Irrespective of its fundamental political significance, the defeat of the Red Army was glorified as salvation for both Poland and Europe in military, ideological and metaphysical terms. Conducted beyond academia, the narrative was forged mainly by veterans, the Catholic Church and various forms of literature and art. Due to government subsidies, documentary and feature films also conveyed a normative notion of these dramatic events and their participants. This article focuses on cinematic works like Dla Ciebie, Polsko [For You, o Poland, PL 1920], and Cud nad Wisłą [The Miracle on the Vistula, PL 1921] produced in order to commemorate the war between the Poles and the Bolsheviks. Taking the iconic turn, this article scrutinises the cinematic self-portrait of the Polish nation that had already been ‘imagined’ as a bulwark of European culture in the East by earlier literary works. Spotlighting protagonists who were given a place in the pantheon of national heroes, it also asks about those who were denigrated or marginalised like women and Jews. Finally, using quantitative methods and Geographical Information System (QGIS) as a tool, the article juxtaposes the maledominated, ethnically and confessional homogeneous ‘imagined nation’ with the film entrepreneurs and actual cinema audiences characterised by their diversity.
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来源期刊
CiteScore
0.20
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0.00%
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18
期刊介绍: Półrocznik redagowany przez zespół pracowników naukowych Instytutu Historii PAN (do tomu 99 red. Maria Bogucka, od tomu 100 red. Halina Manikowska). Ceny numerów archiwalnych aktualizowane są na bieżąco.
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