Q2 Arts and Humanities Cracow Indological Studies Pub Date : 2022-08-18 DOI:10.12797/cis.24.2022.01.07
A. Wójcik
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引用次数: 0

摘要

Kārtikā Tirunāḷ Bālarāma Varma(约1758-1798)是南印度特拉凡科的统治者,也是梵文戏剧专著《Bālarāmabharata》的作者。他的统治是艺术和文学赞助的重要时期,特别是在表演艺术领域。这位国王不仅是一位杰出的赞助人,而且是一位杰出的学者和一位有成就的作家。作为这种多种角色的证据,本文建议分析Bālarāmabharata的开头段落,Kārtikā Tirunāḷ Bālarāma瓦尔马以各种自画像的形式呈现自己:作为统治者,赞助人,学者和诗人。他将自己置于特拉凡科统治者的赞助传统以及巴拉塔Nāṭyaśāstra的继承者的队伍中同时展示了他的文学才能和当代表演艺术传统中的实践经验。
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Kārtikā Tirunāḻ Bālarāma Varma’s Self-portrait in Bālarāmabharata
Kārtikā Tirunāḷ Bālarāma Varma (r. 1758–1798) was the ruler of the South Indian state of Travancore and the author of a Sanskrit treatise on theatrology, the Bālarāmabharata. His reign constituted an important period of patronage of arts and literature, especially in the field of performing arts. The king was not only an outstanding patron but also an eminent scholar and an accomplished author. As the evidence of this great variety of roles, the paper proposes to analyse the opening passages of the Bālarāmabharata where Kārtikā Tirunāḷ Bālarāma Varma presents himself in a self-portrait of sorts: as a ruler, patron, scholar and poet. He inscribes himself in the patronage tradition of the rulers of Travancore as well as in the line of the continuators of Bharata’s Nāṭyaśāstra while simultaneously showcasing his literary prowess and practical experience in the contemporary tradition of performing arts.
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来源期刊
Cracow Indological Studies
Cracow Indological Studies Arts and Humanities-Literature and Literary Theory
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0.30
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发文量
9
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