{"title":"格伦·弗兰克尔的《正午:好莱坞黑名单和一部美国经典的制作》和卡罗尔·a·斯塔比尔的《广播第41集:女性与反共黑名单》(书评)","authors":"Christine D'Auria","doi":"10.1353/flm.2019.0038","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":53571,"journal":{"name":"Film and History","volume":"49 1","pages":"4 - 6"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"High Noon: The Hollywood Blacklist and the Making of an American Classic by Glenn Frankel, and: The Broadcast 41: Women and the Anti-Communist Blacklist by Carol A. Stabile (review)\",\"authors\":\"Christine D'Auria\",\"doi\":\"10.1353/flm.2019.0038\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":53571,\"journal\":{\"name\":\"Film and History\",\"volume\":\"49 1\",\"pages\":\"4 - 6\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Film and History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/flm.2019.0038\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film and History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/flm.2019.0038","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
High Noon: The Hollywood Blacklist and the Making of an American Classic by Glenn Frankel, and: The Broadcast 41: Women and the Anti-Communist Blacklist by Carol A. Stabile (review)