摄影之后的理论:丹尼斯·斯科特·布朗不断变化的目光

Q1 Arts and Humanities Interiority Pub Date : 2023-01-30 DOI:10.7454/in.v6i1.233
Pablo Meninato
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引用次数: 0

摘要

纵观历史,建筑师们通过写作、绘画、模型制作、推测和建筑作品来传达他们的想法。20世纪初出现在建筑书籍中的摄影,大多被认为是文字的辅助。2021年夏天,Denise Scott Brown最近在费城泰勒艺术与建筑学院举办了一场照片展览,展示了媒体另一条创造性和智慧之路的可能性。摄影同时也是建筑和城市思想和理论的先例和催化剂。本文旨在考察斯科特·布朗的照片与她在散文和书籍中传达的思想之间的关系和连续性。因此,摄影成为融合人类学、乡土文学、历史和波普艺术等不同主题的写作的催化剂,成为拉斯维加斯的图像学和费城不断变化的城市景观。斯科特·布朗的摄影作品体现了一种新的创作范式——理论预见。
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Theory Follows Photography: The Evolving Gaze of Denise Scott Brown
Throughout history, architects have communicated their ideas through writing, drawing, model-making, speculation, and built work. Photography, which appeared in architecture books at the beginning of the 20th century, was mostly considered to be ancillary to the written word. A recent exhibition of photographs by Denise Scott Brown at Tyler School of Art and Architecture in Philadelphia during summer 2021 demonstrates the possibility of another creative and intellectual path for the medium. Photography simultaneously serves as a precedent and catalyst for architectural and urban thinking and theory. This article aims to examine the relationship and continuity between Scott Brown's photographs and the ideas that she conveyed in essays and books. Photography, therefore, becomes the catalyst for writings that integrate disparate topics, such as anthropology, vernaculars, history, and Pop Art, as the iconology of Las Vegas and the changing urban landscape of Philadelphia. Embodying a new creative paradigm, Scott Brown's photography anticipates theory.
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来源期刊
Interiority
Interiority Arts and Humanities-Visual Arts and Performing Arts
CiteScore
2.10
自引率
0.00%
发文量
16
审稿时长
10 weeks
期刊最新文献
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