V. Antunes, V. Serrão, A. Candeias, J. Mirão, S. Valadas, M. Carvalho
{"title":"艺术家的速写本:果阿大教堂(印度)的前祭坛画归因于画家加西亚费尔南德斯-肖像和风格的影响和底画研究","authors":"V. Antunes, V. Serrão, A. Candeias, J. Mirão, S. Valadas, M. Carvalho","doi":"10.14568/cp2018068","DOIUrl":null,"url":null,"abstract":"Goa Cathedral former altarpiece, attributed to Garcia Fernandes and made around 1538, is one of the oldest western pictorial works in India. It is a work of great importance in the establishment of the conquest of Goa by the Portuguese but also for understanding the influence of Portuguese painting overseas. Goa Cathedral former altarpiece is revealed as a crucial study source of Garcia Fernandes' creative process. There is evidence in the vigorous underdrawing of these paintings, of the existence of different types of drawing, as well as abandoned iconographic themes, or formal alterations of compositions. The iconographic and stylistic study evidences north and south-European influences in the choice and representation of the themes around the Martirio de Santa Catarina. In the present study, this work is compared in the making of the underdrawing with other works attributed to Garcia Fernandes.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":"34 1","pages":"73-87"},"PeriodicalIF":0.4000,"publicationDate":"2020-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"An Artist's Sketchbook: the former altarpiece of Goa Cathedral (India) attributed to the painter Garcia Fernandes - iconographic and stylistic influences and underdrawing study\",\"authors\":\"V. Antunes, V. Serrão, A. Candeias, J. Mirão, S. Valadas, M. Carvalho\",\"doi\":\"10.14568/cp2018068\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Goa Cathedral former altarpiece, attributed to Garcia Fernandes and made around 1538, is one of the oldest western pictorial works in India. It is a work of great importance in the establishment of the conquest of Goa by the Portuguese but also for understanding the influence of Portuguese painting overseas. Goa Cathedral former altarpiece is revealed as a crucial study source of Garcia Fernandes' creative process. There is evidence in the vigorous underdrawing of these paintings, of the existence of different types of drawing, as well as abandoned iconographic themes, or formal alterations of compositions. The iconographic and stylistic study evidences north and south-European influences in the choice and representation of the themes around the Martirio de Santa Catarina. In the present study, this work is compared in the making of the underdrawing with other works attributed to Garcia Fernandes.\",\"PeriodicalId\":55942,\"journal\":{\"name\":\"Conservar Patrimonio\",\"volume\":\"34 1\",\"pages\":\"73-87\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2020-07-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Conservar Patrimonio\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14568/cp2018068\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Conservar Patrimonio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14568/cp2018068","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
An Artist's Sketchbook: the former altarpiece of Goa Cathedral (India) attributed to the painter Garcia Fernandes - iconographic and stylistic influences and underdrawing study
Goa Cathedral former altarpiece, attributed to Garcia Fernandes and made around 1538, is one of the oldest western pictorial works in India. It is a work of great importance in the establishment of the conquest of Goa by the Portuguese but also for understanding the influence of Portuguese painting overseas. Goa Cathedral former altarpiece is revealed as a crucial study source of Garcia Fernandes' creative process. There is evidence in the vigorous underdrawing of these paintings, of the existence of different types of drawing, as well as abandoned iconographic themes, or formal alterations of compositions. The iconographic and stylistic study evidences north and south-European influences in the choice and representation of the themes around the Martirio de Santa Catarina. In the present study, this work is compared in the making of the underdrawing with other works attributed to Garcia Fernandes.
期刊介绍:
Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.