未来的日子已经过去了。希腊埃米迪奥的莫雷尔的发明=未来逝去的日子。艾米迪欧·格里科是莫雷尔的发明

IF 0.2 Q4 COMMUNICATION H-ermes-Journal of Communication Pub Date : 2018-06-29 DOI:10.1285/I22840753N12P63
Luca Bandirali
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引用次数: 0

摘要

未来的日子一天天过去了。埃米蒂奥·格雷科的《莫雷尔调查》。20世纪70年代上半叶的许多科幻电影通常发生在地球上,地球受到技术强化加速现象的影响,这些现象对环境和生命形式产生了强烈影响,决定了对未来恐惧的共同场景。在欧洲,对这种社会情绪最深刻的反思之一无疑仍然是埃米迪奥·格雷科(Emidio Greco,1974)根据阿道夫·比奥伊·卡萨雷斯(Adolfo Bioy Casares)1940年出版的短篇小说改编的《L’invenzione di Morel》。本文旨在强调埃米迪奥·格雷科作品的意义是如何通过具体的生产设计来支持的,旨在构建一个基于时间幻觉、怀旧和对未来的恐惧的戏剧空间。
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I giorni del futuro sono trascorsi. L'invenzione di Morel di Emidio Greco = Days of future passed. Emidio Greco's L'invenzione di Morel
Days of future passed. Emidio Greco's L'invenzione di Morel. Many Sci-Fi movies of the first half of the Seventies often take place on a planet Earth affected by accelerated phenomena of technological intensification that have a strong impact on the environment and on life forms, determining scenarios that have in common the fear of the future. In Europe, one of the most profound reflections on this social mood remains without doubt L'invenzione di Morel by Emidio Greco (1974), based on a short novel by Adolfo Bioy Casares published in 1940. This paper wants to highlight how the meanings of Emidio Greco's work are supported by a specific use of production design, aimed at the construction of a dramaturgical space based on temporal illusion, nostalgia and fear of the future.
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