{"title":"博尔赫斯在传统和文学发明之间","authors":"Susanna Regazzoni","doi":"10.4312/VH.25.1.253-268","DOIUrl":null,"url":null,"abstract":"The article analyses Borges’ relationship to and his special interest in the literary genre ‘gauchesca’ through his critical essays and narrative tales. We discuss in particular it studies “El fin” (1944) and “Biografia de Tadeo Isidoro Cruz (1814 - 1874)” (1949) and its special connection to the poem Martin Fierro. These short stories are striking example of the writing technique of the Argentine author and his taste for the neofantastico.","PeriodicalId":30803,"journal":{"name":"Verba Hispanica","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2017-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Borges entre la tradición y la invención literaria\",\"authors\":\"Susanna Regazzoni\",\"doi\":\"10.4312/VH.25.1.253-268\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article analyses Borges’ relationship to and his special interest in the literary genre ‘gauchesca’ through his critical essays and narrative tales. We discuss in particular it studies “El fin” (1944) and “Biografia de Tadeo Isidoro Cruz (1814 - 1874)” (1949) and its special connection to the poem Martin Fierro. These short stories are striking example of the writing technique of the Argentine author and his taste for the neofantastico.\",\"PeriodicalId\":30803,\"journal\":{\"name\":\"Verba Hispanica\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-12-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Verba Hispanica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4312/VH.25.1.253-268\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Verba Hispanica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4312/VH.25.1.253-268","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文通过博尔赫斯的批评散文和叙事故事,分析了博尔赫斯与“高切斯卡”文学流派的关系及其对“高切斯卡”文学的特殊兴趣。我们特别讨论了它研究的“El fin”(1944)和“Biografia de Tadeo Isidoro Cruz(1814-1874)”(1949)及其与诗歌Martin Fierro的特殊联系。这些短篇小说是这位阿根廷作家的写作技巧和他对新幻想主义的品味的突出例子。
Borges entre la tradición y la invención literaria
The article analyses Borges’ relationship to and his special interest in the literary genre ‘gauchesca’ through his critical essays and narrative tales. We discuss in particular it studies “El fin” (1944) and “Biografia de Tadeo Isidoro Cruz (1814 - 1874)” (1949) and its special connection to the poem Martin Fierro. These short stories are striking example of the writing technique of the Argentine author and his taste for the neofantastico.