城市的多节奏景观

IF 0.1 0 ARCHITECTURE Materia Arquitectura Pub Date : 2019-04-15 DOI:10.56255/ma.v0i17.389
Tamao Hashimoto
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摘要

这篇论文展示了东京艺术大学艺术与留学项目(ASAP)的“世界工作室”的作品。ASAP鼓励来自工作室、大学和国家的跨学科和实用的设计研究策略。特别是,大都会工作室探索了一种理解和构思人类与城市环境之间复杂联系的方式,同时专注于伦敦国王十字重建区。借鉴法国哲学家亨利·列斐伏尔(Henri Lefebvre)的思想,并参考伯纳德·图米(Bernard Tschumi)的观点,“世界工作坊”的参与者旨在将一系列普通的“直接行动”描述为人类、建筑和空间的“节奏分析”,通过这样的假设,这不仅提出了对空间功能的不同解读,而且还配置了“每一个存在、每一个实体和每一个身体,包括生命和非生命”之间的模糊关系。在中央圣马丁(伦敦艺术大学)和建筑协会建筑学院的支持下,参与者试图记录人类在日常生活中的行为,这将扩大城市空间的时间感知,同时战略性地检查城市的周边及其与城市节奏和事件的关系。
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The Polyrhythmic-scape of the City
This paper shows the work of the 'Cosmopolitan Workshop', which is part of the Arts and Study Abroad Program (ASAP) at Tokyo University of the Arts. ASAP encourages interdisciplinarity and practical design research strategies out of the studio, the university, and the country. Especially, the Cosmopolitan Workshop explores a way for understanding and conceiving the complex connections between humans and the environment of the city, while focusing on King’s Cross redevelopment area in London. Drawing on ideas by the French philosopher Henri Lefebvre, and with reference to Bernard Tschumi, the participants in the Cosmopolitan Workshop aimed to describe a series of ordinary 'direct actions'as 'rhythmanalysis' of humans, architecture, and space, through the assumption that this not only proposes different readings of spatial function, but also configures ambiguous relationships between “every being, every entity and every body, both living and non-living”. With the support of Central Saint Martins (University of the Arts London) and the Architectural Association Schoolof Architecture, the participants attempted to document human actions in everyday life that would expand the perception of time in urban space, while strategically examining the city’s perimeter and its relation to urban rhythms and events.
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