{"title":"电影评论中审美判断的规范性研究","authors":"P. Zahrádka","doi":"10.1080/20004214.2020.1729574","DOIUrl":null,"url":null,"abstract":"ABSTRACT Following methodological relativism, the paper reflects critically on objectivist theories of aesthetic judgement that derive its objectivity from the rules by which the judgement is made, or from ideal settings of the observer. Both theories share the assumption that the person delivering the reliable (objective) aesthetic judgement is an art critic. The critical reflection of both theories is based on pragmalinguistic analysis of film criticism, that is, on the reconstruction of the semantics and normativity of value judgements made by professional film critics.","PeriodicalId":43229,"journal":{"name":"Journal of Aesthetics & Culture","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/20004214.2020.1729574","citationCount":"5","resultStr":"{\"title\":\"Research on the normativity of aesthetic judgements in film criticism\",\"authors\":\"P. Zahrádka\",\"doi\":\"10.1080/20004214.2020.1729574\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Following methodological relativism, the paper reflects critically on objectivist theories of aesthetic judgement that derive its objectivity from the rules by which the judgement is made, or from ideal settings of the observer. Both theories share the assumption that the person delivering the reliable (objective) aesthetic judgement is an art critic. The critical reflection of both theories is based on pragmalinguistic analysis of film criticism, that is, on the reconstruction of the semantics and normativity of value judgements made by professional film critics.\",\"PeriodicalId\":43229,\"journal\":{\"name\":\"Journal of Aesthetics & Culture\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2020-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/20004214.2020.1729574\",\"citationCount\":\"5\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Aesthetics & Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/20004214.2020.1729574\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Aesthetics & Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20004214.2020.1729574","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Research on the normativity of aesthetic judgements in film criticism
ABSTRACT Following methodological relativism, the paper reflects critically on objectivist theories of aesthetic judgement that derive its objectivity from the rules by which the judgement is made, or from ideal settings of the observer. Both theories share the assumption that the person delivering the reliable (objective) aesthetic judgement is an art critic. The critical reflection of both theories is based on pragmalinguistic analysis of film criticism, that is, on the reconstruction of the semantics and normativity of value judgements made by professional film critics.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
