{"title":"变形身体是充满希望的政治","authors":"D. Harris","doi":"10.1177/19408447221131040","DOIUrl":null,"url":null,"abstract":"The truth-telling in his piece is sin quo non to the unmasking needed to forge pathways to new gendered possibilities in troubled times toward transformative futures. I explore the affective embodied experience of living as a non-binary transmasculine person in a binary world. Drawing on the work of Jack Halberstam, Tami Spry, and Bryant Keith Alexander, this essay (and performance) is shared with/through my testosterone-lowered voice, my masculine-appearing body, and my non-binary orientations that ask the world to avoid the pitfalls of binarized gender relations. Performance autoethnography has long held space in the academy for the foregrounding of non-majoritarian lived experience through affective, interpersonal, and embodied strategies, and this piece builds on those traditions.","PeriodicalId":90874,"journal":{"name":"International review of qualitative research : IRQR","volume":"16 1","pages":"72 - 76"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Trans*Forming Bodies Is Hopeful Politics\",\"authors\":\"D. Harris\",\"doi\":\"10.1177/19408447221131040\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The truth-telling in his piece is sin quo non to the unmasking needed to forge pathways to new gendered possibilities in troubled times toward transformative futures. I explore the affective embodied experience of living as a non-binary transmasculine person in a binary world. Drawing on the work of Jack Halberstam, Tami Spry, and Bryant Keith Alexander, this essay (and performance) is shared with/through my testosterone-lowered voice, my masculine-appearing body, and my non-binary orientations that ask the world to avoid the pitfalls of binarized gender relations. Performance autoethnography has long held space in the academy for the foregrounding of non-majoritarian lived experience through affective, interpersonal, and embodied strategies, and this piece builds on those traditions.\",\"PeriodicalId\":90874,\"journal\":{\"name\":\"International review of qualitative research : IRQR\",\"volume\":\"16 1\",\"pages\":\"72 - 76\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International review of qualitative research : IRQR\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/19408447221131040\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International review of qualitative research : IRQR","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/19408447221131040","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The truth-telling in his piece is sin quo non to the unmasking needed to forge pathways to new gendered possibilities in troubled times toward transformative futures. I explore the affective embodied experience of living as a non-binary transmasculine person in a binary world. Drawing on the work of Jack Halberstam, Tami Spry, and Bryant Keith Alexander, this essay (and performance) is shared with/through my testosterone-lowered voice, my masculine-appearing body, and my non-binary orientations that ask the world to avoid the pitfalls of binarized gender relations. Performance autoethnography has long held space in the academy for the foregrounding of non-majoritarian lived experience through affective, interpersonal, and embodied strategies, and this piece builds on those traditions.