Fabian C. Moss, Willian Fernandes Souza, M. Rohrmeier
{"title":"巴西合唱中的和声与形式：一种基于语料库的音乐风格分析方法","authors":"Fabian C. Moss, Willian Fernandes Souza, M. Rohrmeier","doi":"10.1080/09298215.2020.1797109","DOIUrl":null,"url":null,"abstract":"This corpus study constitutes the first quantitative style analysis of Choro, a primarily instrumental music genre that emerged in Brazil at the end of the 19th century. We evaluate its description in a recent comprehensive textbook by transcribing the chord symbols and formal structure of the 295 representative pieces in the Choro Songbook. Our approach uncovers central stylistic traits of this musical idiom on empirical grounds. It thus advances data-driven musical style analysis by studying both harmony and form in a musical genre that lies outside the traditional canon.","PeriodicalId":16553,"journal":{"name":"Journal of New Music Research","volume":"49 1","pages":"416 - 437"},"PeriodicalIF":1.1000,"publicationDate":"2020-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09298215.2020.1797109","citationCount":"7","resultStr":"{\"title\":\"Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis\",\"authors\":\"Fabian C. Moss, Willian Fernandes Souza, M. Rohrmeier\",\"doi\":\"10.1080/09298215.2020.1797109\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This corpus study constitutes the first quantitative style analysis of Choro, a primarily instrumental music genre that emerged in Brazil at the end of the 19th century. We evaluate its description in a recent comprehensive textbook by transcribing the chord symbols and formal structure of the 295 representative pieces in the Choro Songbook. Our approach uncovers central stylistic traits of this musical idiom on empirical grounds. It thus advances data-driven musical style analysis by studying both harmony and form in a musical genre that lies outside the traditional canon.\",\"PeriodicalId\":16553,\"journal\":{\"name\":\"Journal of New Music Research\",\"volume\":\"49 1\",\"pages\":\"416 - 437\"},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2020-08-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/09298215.2020.1797109\",\"citationCount\":\"7\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of New Music Research\",\"FirstCategoryId\":\"94\",\"ListUrlMain\":\"https://doi.org/10.1080/09298215.2020.1797109\",\"RegionNum\":4,\"RegionCategory\":\"计算机科学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of New Music Research","FirstCategoryId":"94","ListUrlMain":"https://doi.org/10.1080/09298215.2020.1797109","RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}
Harmony and form in Brazilian Choro: A corpus-driven approach to musical style analysis
This corpus study constitutes the first quantitative style analysis of Choro, a primarily instrumental music genre that emerged in Brazil at the end of the 19th century. We evaluate its description in a recent comprehensive textbook by transcribing the chord symbols and formal structure of the 295 representative pieces in the Choro Songbook. Our approach uncovers central stylistic traits of this musical idiom on empirical grounds. It thus advances data-driven musical style analysis by studying both harmony and form in a musical genre that lies outside the traditional canon.
期刊介绍：
The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
