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{"title":"暂停情感与哈莱姆文艺复兴诗学","authors":"Sean G. Weidman","doi":"10.1353/mod.2021.0054","DOIUrl":null,"url":null,"abstract":"writes about modernist literature, modern culture, and the digital humanities. He is currently at work on his first book project, provisionally titled Hospitalities: Modernist Culture and the Politics of Welcoming. The project traces how modernists designed, deployed, and circulated political and aesthetic models of un/ welcoming to contend with the social crises of the early twentiethcentury. modernism / modernity volume twenty eight, number four, pp 637–659. © 2022","PeriodicalId":18699,"journal":{"name":"Modernism/modernity","volume":"28 1","pages":"637 - 659"},"PeriodicalIF":0.3000,"publicationDate":"2022-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Suspended Affect and Harlem Renaissance Poetics\",\"authors\":\"Sean G. Weidman\",\"doi\":\"10.1353/mod.2021.0054\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"writes about modernist literature, modern culture, and the digital humanities. He is currently at work on his first book project, provisionally titled Hospitalities: Modernist Culture and the Politics of Welcoming. The project traces how modernists designed, deployed, and circulated political and aesthetic models of un/ welcoming to contend with the social crises of the early twentiethcentury. modernism / modernity volume twenty eight, number four, pp 637–659. © 2022\",\"PeriodicalId\":18699,\"journal\":{\"name\":\"Modernism/modernity\",\"volume\":\"28 1\",\"pages\":\"637 - 659\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-02-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Modernism/modernity\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/mod.2021.0054\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Modernism/modernity","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mod.2021.0054","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
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Suspended Affect and Harlem Renaissance Poetics
writes about modernist literature, modern culture, and the digital humanities. He is currently at work on his first book project, provisionally titled Hospitalities: Modernist Culture and the Politics of Welcoming. The project traces how modernists designed, deployed, and circulated political and aesthetic models of un/ welcoming to contend with the social crises of the early twentiethcentury. modernism / modernity volume twenty eight, number four, pp 637–659. © 2022