阿尔卡的身份一直在一起说话

Ashar Murdihastomo
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摘要

这项由前现代爪哇夏季计划委员会于2016年组织的实地研究针对东爪哇的几家博物馆,特别是Mojokerto Penataran地区。该实地研究旨在了解马贾帕希特王国印度教-佛教时期结束时文化艺术的发展。本文讨论的是在夏季计划期间观测到的一个物体。讨论的对象是存放在佩纳塔兰博物馆的狮子头雕像。在夏季活动中,一些参与者预测这尊雕像是纳拉西姆哈形态的毗湿奴神。这一预测主要基于雕像的头部,类似于狮子头。本文通过对雕像的描述、图像学的文献研究、对其特殊图像特征的分析等研究,认为该人物是加涅沙的一种表现形式,名叫辛哈·加纳帕蒂。对Simha Ganapati的崇拜不仅是为了带来力量和勇气,而且是为了通过摧毁一切形式的消极思想来提供面对问题的信心。
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IDENTIFIKASI ARCA TOKOH BERKEPALA SINGA DI MUSEUM PENATARAN
The field study that was organized by the committee of Premodern Java Summer Programme in 2016 targeted several museums in East Java, especially in Mojokerto-Penataran area. That field study was intended to provide an understanding about the development of cultural arts during the end of Hindu-Buddhist period of Majapahit Kingdom. This paper is discussing about one of the objects that was being observed during that Summer Programme. The object of discussion is the lion-headed figure, stored in Museum Penataran. During the Summer Programme, some participants have predicted that the statue is Lord Vishnu in his Narasimha form. That prediction was mainly based on the statue's head which resemble a lion's head. Through several studies, such as the description of the statue, the literature study of iconography, and analysis about the special iconographic character, this paper concluded that this figure is a manifestation of Ganesha, named Simha-Ganapati. The worship of Simha-Ganapati has a purpose not only to bring strength and courage, but also to provide confidence in facing problems by destroying all forms of negative thoughts.
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发文量
4
审稿时长
20 weeks
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