{"title":"流行音乐可能的过去:爵士乐和摇滚的历史叙事","authors":"I. Iglesias","doi":"10.34096/OIDOPENSANTE.V9N1.8042","DOIUrl":null,"url":null,"abstract":"This article proposes to rethink historical narratives of popular music through the historiography of jazz and rock. Its objective is to historicize and integrate in these two genres, understood as assemblages, the ways of writing about them, as well as to present their recurring historiographical inertias. It is divided into eight short sections. The first four analyze the scarcity of historiographical reflections in popular music studies and classify the dominant historical narratives on jazz and rock, considering their advantages and disadvantages. The following four examine the problems shared by these emplotments and propose several alternatives in relation to the recent historiographical turns.","PeriodicalId":40885,"journal":{"name":"Oido Pensante","volume":"9 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2021-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Pasados posibles de la música popular: narrativas históricas del jazz y del rock\",\"authors\":\"I. Iglesias\",\"doi\":\"10.34096/OIDOPENSANTE.V9N1.8042\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article proposes to rethink historical narratives of popular music through the historiography of jazz and rock. Its objective is to historicize and integrate in these two genres, understood as assemblages, the ways of writing about them, as well as to present their recurring historiographical inertias. It is divided into eight short sections. The first four analyze the scarcity of historiographical reflections in popular music studies and classify the dominant historical narratives on jazz and rock, considering their advantages and disadvantages. The following four examine the problems shared by these emplotments and propose several alternatives in relation to the recent historiographical turns.\",\"PeriodicalId\":40885,\"journal\":{\"name\":\"Oido Pensante\",\"volume\":\"9 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-02-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Oido Pensante\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.34096/OIDOPENSANTE.V9N1.8042\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Oido Pensante","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.34096/OIDOPENSANTE.V9N1.8042","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Pasados posibles de la música popular: narrativas históricas del jazz y del rock
This article proposes to rethink historical narratives of popular music through the historiography of jazz and rock. Its objective is to historicize and integrate in these two genres, understood as assemblages, the ways of writing about them, as well as to present their recurring historiographical inertias. It is divided into eight short sections. The first four analyze the scarcity of historiographical reflections in popular music studies and classify the dominant historical narratives on jazz and rock, considering their advantages and disadvantages. The following four examine the problems shared by these emplotments and propose several alternatives in relation to the recent historiographical turns.
期刊介绍：
The aim of El oído pensante is to promote the discussion of theoretical, methodological and epistemological dilemmas faced by different kinds of music research. Unpublished articles in Spanish, Portuguese and English dealing with ethnomusicology, anthropology, sociology of music, popular music studies, musicology, and cultural studies, among other disciplines, are received. Papers should be original and those which produce criticism of theoretical paradigms, methodology, transdisciplinarity, knowledge validation, research ideologies, representation resources, narrative strategies, ethic and esthetic research perspectives, relationships during the fieldwork experience, social and political research significance, the researcher’s perceptive and conceptual baggage, new technologies and their ways of spreading and sharing knowledge, etc., will be welcome. Since the intention of the journal is to promote critical thought aimed to dismantle usual concepts and to open new approaches, papers restricted to analyzing particular cases will not be accepted. However, it is expected that authors bring some cases into the text in order to support their main ideas. Articles and reviews are received.
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