{"title":"在小说中讲真话:瓦莱丽娅·路易塞利纪实小说《迷失的孩子》档案的不稳定美学","authors":"Jaseel, R. Gaur","doi":"10.1080/00111619.2023.2208262","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":44131,"journal":{"name":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Telling Truth in Fiction: The Precarious Aesthetic of Valeria Luiselli’s Documentary Fiction Lost Children Archive\",\"authors\":\"Jaseel, R. Gaur\",\"doi\":\"10.1080/00111619.2023.2208262\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":44131,\"journal\":{\"name\":\"CRITIQUE-STUDIES IN CONTEMPORARY FICTION\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-05-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CRITIQUE-STUDIES IN CONTEMPORARY FICTION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00111619.2023.2208262\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CRITIQUE-STUDIES IN CONTEMPORARY FICTION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00111619.2023.2208262","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
期刊介绍:
Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the ''50s, Barth and Hawkes in the ''60s, Pynchon, Elkin, Vonnegut, and Coover in the ''70s; DeLillo, Atwood, Morrison, and García Márquez in the ''80s; Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the ''90s; and Lorrie Moore and Mark Danielewski in the new century. Readers go to Critique for critical essays on new authors with emerging reputations, but the general focus of the journal is fiction after 1950 from any country. Critique is published five times a year.