一种创造性的民族志方法:重建苏瓦幽灵船的社会物质遗迹

IF 0.4 Q3 ANTHROPOLOGY Visual Anthropology Pub Date : 2023-05-19 DOI:10.1080/08949468.2023.2203298
Emit Snake-Beings
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引用次数: 0

摘要

本文以视觉元素为基础,运用创造性民族志作为一种视觉化想象元素和观察的方法。该技术根据作者题为《苏瓦幽灵船》的视频的视觉提示生成即兴对话,探索和推测了水手和工人的想象生活,他们曾经居住在斐济维提岛拍摄的废弃渔船上。探索船只的物质生活及其与过去居民的社会物质关系时,我们认为即使是被丢弃的物质世界也充满了我们可以联系的主观性。作为对这些船只的社会物质“生活”的讨论,作为社会物质主观主义的交汇点,本文采用了Donna Haraway的推测虚构概念驱动的方法。通过对话的重建,本文采用了蒂姆·英格尔德的活力和即兴创作范式,这是与创意民族志网络(CEN)制作图像和视频的过程的一部分。结论承认了社会物质纠缠的复杂性:研究者和主体之间的主体间性元素成为产生民族志知识的重要因素。
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A Creative Ethnography Approach: Reconstructing the Socio-Material Remains of the Ghost Ships of Suva
Drawing on visual elements, this article uses creative ethnography as a method of visualizing imaginative elements and observations. Generating improvised dialogues based on the visual prompts of the author’s video entitled Ghost Ships of Suva, the technique explores and speculates on the imagined lives of sailors and workers who once inhabited the abandoned fishing vessels that were filmed in the Fijian island of Viti Levu. The material life of the vessels and their socio-material relationship with the past inhabitants are explored with the idea that even the discarded material world is full of subjectivities with which we can connect. As a discussion on the socio-material “lives” of these ships, as a meeting-point of socio-material subjectivities, the article employs an approach driven by Donna Haraway’s concept of speculative fabulation. Through the reconstruction of dialogues, the article engages with Tim Ingold’s paradigm of aliveness and improvization, part of the processes involved in making images and videos with the Creative Ethnography Network (CEN). The conclusion acknowledges the complexities of socio-material entanglement: where elements of intersubjectivity between researcher and subject become vital agents in producing ethnographic knowledge.
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来源期刊
Visual Anthropology
Visual Anthropology ANTHROPOLOGY-
CiteScore
1.00
自引率
50.00%
发文量
19
期刊介绍: Visual Anthropology is a scholarly journal presenting original articles, commentary, discussions, film reviews, and book reviews on anthropological and ethnographic topics. The journal focuses on the study of human behavior through visual means. Experts in the field also examine visual symbolic forms from a cultural-historical framework and provide a cross-cultural study of art and artifacts. Visual Anthropology also promotes the study, use, and production of anthropological and ethnographic films, videos, and photographs for research and teaching.
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