{"title":"“偷来的空气”从何而来?","authors":"I. Surat","doi":"10.1080/10611975.2017.1350066","DOIUrl":null,"url":null,"abstract":"Irina Surat traces the theme of theft through Osip Mandelstam’s work, finding its roots in works by François Villon and Paul Verlaine as well as Mandelstam’s life experience. Mandelstam’s attention to the earlier French poets allows him to note a word cluster that supports an image of the poet as thief and outlaw, supporting his work and self-image at a time when the Soviet literary system was no longer welcoming or supportive.","PeriodicalId":55621,"journal":{"name":"RUSSIAN STUDIES IN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2017-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10611975.2017.1350066","citationCount":"0","resultStr":"{\"title\":\"Where Did “Stolen Air” Come From?\",\"authors\":\"I. Surat\",\"doi\":\"10.1080/10611975.2017.1350066\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Irina Surat traces the theme of theft through Osip Mandelstam’s work, finding its roots in works by François Villon and Paul Verlaine as well as Mandelstam’s life experience. Mandelstam’s attention to the earlier French poets allows him to note a word cluster that supports an image of the poet as thief and outlaw, supporting his work and self-image at a time when the Soviet literary system was no longer welcoming or supportive.\",\"PeriodicalId\":55621,\"journal\":{\"name\":\"RUSSIAN STUDIES IN LITERATURE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/10611975.2017.1350066\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RUSSIAN STUDIES IN LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10611975.2017.1350066\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RUSSIAN STUDIES IN LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10611975.2017.1350066","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Irina Surat traces the theme of theft through Osip Mandelstam’s work, finding its roots in works by François Villon and Paul Verlaine as well as Mandelstam’s life experience. Mandelstam’s attention to the earlier French poets allows him to note a word cluster that supports an image of the poet as thief and outlaw, supporting his work and self-image at a time when the Soviet literary system was no longer welcoming or supportive.
期刊介绍：
Russian Studies in Literature publishes high-quality, annotated translations of Russian literary criticism and scholarship on contemporary works and popular cultural topics as well as the classics. Selections are drawn from the leading literary periodicals including Literaturnaia gazeta (Literary Gazette), Novoe literaturnoe obozrenie (New Literary Review), Oktiabr (October), Voprosy literatury (Problems of Literature), and Znamia (Banner). An editorial introduction to every issue provides context and insight that will be helpful for English-language readers.
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