流动的认识:罗伯托·博拉尼奥、小说传记和启蒙运动

IF 0.1 2区 文学 0 LITERATURE, ROMANCE HISPANIC REVIEW Pub Date : 2022-09-01 DOI:10.1353/hir.2022.0034
J. Estrada, Caio Yurgel
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引用次数: 1

摘要

摘要:罗伯托Bolaño小说中的生活是对启蒙运动信条的一种挑战。在这方面,水在作者的诗学中扮演着关键的角色:它是失败和疯狂的隐喻,既反映了理性的恐怖,又使之变得模糊。通过考察Bolaño创造复杂的虚构传记的能力,本文确定了这些人物与水的隐喻的相遇如何揭示了Bolaño对启蒙运动信仰的深度,即全知和全见的理性。为了实现我们的目标,我们探索了他的四部小说中的人物的生活:《2666》、《苦痛先生》、《护身符》和《智利的夜晚》。这篇文章展示了Bolaño是如何构思那些被要求在一个确定性不断减少、潮流不断变化的世界中表明立场的角色的。在这样做的过程中,他在一个道德妥协的世界的同一背景下叠加了最小变化的角色,就像一个科学家试图确定我们现在所处的位置的确切时刻一样。
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A Liquid Episteme: Roberto Bolaño, Fictional Biographies, and the Enlightenment
Abstract (Lang: English):The lives that inhabit Roberto Bolaño's fiction serve as a contestation to the tenets of the Enlightenment. In this respect, water plays a key role in the author's poetics: a metaphor for defeat and madness which both reflects and muddies the horrors of Reason. By examining Bolaño's ability to create complex fictional biographies, this article identifies how these characters’ encounters with watery metaphors reveal the depths of Bolaño’s critique of the Enlightenment belief in an all-knowing and all-seeing Reason. To achieve our goal, we explore the lives of characters from four of his novels: 2666, Monsieur Pain, Amulet, and By Night in Chile. This article demonstrates how Bolaño conceives characters who are asked to take a stand in a world of diminishing certainties and changing tides. In doing so, he superimposes characters with minimal variations on the same backdrop of an ethically compromised world, like a scientist trying to pinpoint the exact moment that got us to where we now are.
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来源期刊
HISPANIC REVIEW
HISPANIC REVIEW LITERATURE, ROMANCE-
CiteScore
0.20
自引率
0.00%
发文量
23
期刊介绍: A quarterly journal devoted to research in Hispanic and Luso-Brazilian literatures and cultures, Hispanic Review has been edited since 1933 by the Department of Romance Languages at the University of Pennsylvania. The journal features essays and book reviews on the diverse cultural manifestations of Iberia and Latin America, from the medieval period to the present.
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