{"title":"约翰·史密斯的新冠病毒信息","authors":"E. Balsom","doi":"10.1386/miraj_00045_1","DOIUrl":null,"url":null,"abstract":"Since May 2020, John Smith has been at work on an episodic series called Covid Messages, made from repurposed footage of press conferences in which Prime Minister Boris Johnson briefs the public on the status of the pandemic. Through six darkly funny instalments, the artist plays\n with the press conference as a site of ‘coded messages’, assailing the vacancy of political speech and the grotesque manoeuvres of the Conservative government with his characteristic wit. The following conversation took place online on 17 December 2020.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"John Smith’s Covid Messages\",\"authors\":\"E. Balsom\",\"doi\":\"10.1386/miraj_00045_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Since May 2020, John Smith has been at work on an episodic series called Covid Messages, made from repurposed footage of press conferences in which Prime Minister Boris Johnson briefs the public on the status of the pandemic. Through six darkly funny instalments, the artist plays\\n with the press conference as a site of ‘coded messages’, assailing the vacancy of political speech and the grotesque manoeuvres of the Conservative government with his characteristic wit. The following conversation took place online on 17 December 2020.\",\"PeriodicalId\":36761,\"journal\":{\"name\":\"Moving Image Review and Art Journal\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Moving Image Review and Art Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/miraj_00045_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Moving Image Review and Art Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/miraj_00045_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Since May 2020, John Smith has been at work on an episodic series called Covid Messages, made from repurposed footage of press conferences in which Prime Minister Boris Johnson briefs the public on the status of the pandemic. Through six darkly funny instalments, the artist plays
with the press conference as a site of ‘coded messages’, assailing the vacancy of political speech and the grotesque manoeuvres of the Conservative government with his characteristic wit. The following conversation took place online on 17 December 2020.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
