{"title":"书评:《玩具总动员:皮克斯如何重塑动画长片》","authors":"William D. McCarthy","doi":"10.1177/1746847719881703","DOIUrl":null,"url":null,"abstract":"Barnouw E (1981) The Magician and the Cinema. Oxford: Oxford University Press. Crafton D (1982) Before Mickey: The Animated Film, 1898–1928. Cambridge, MA: MIT Press. Gunning T (1989) An aesthetic of astonishment: Early film and the (in)credulous spectator. Art and Text 34, Spring: 31–45. Holliday C (2018) The Computer-Animated Film: Industry, Style and Genre. Edinburgh: Edinburgh University Press. Lutz EG (1920) Animated Cartoons: How They Are Made, Their Origin and Development. London: Chapman & Hall. Sexton M (2017) Secular Magic and the Moving Image: Mediated Forms and Modes of Reception. London: Bloomsbury. Solomon M (2010) Disappearing Tricks: Silent Film, Houdini, and the New Magic of the Twentieth Century. Urbana: University of Illinois Press. Williamson C (2011) The blow book, performance magic, and early animation: Mediating the living dead. Animation 6(2): 111–126. DOI: 10.1177/1746847711405101.","PeriodicalId":43271,"journal":{"name":"Animation-An Interdisciplinary Journal","volume":"14 1","pages":"255 - 257"},"PeriodicalIF":0.3000,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1746847719881703","citationCount":"0","resultStr":"{\"title\":\"Book review: Toy Story: How Pixar Reinvented the Animated Feature\",\"authors\":\"William D. McCarthy\",\"doi\":\"10.1177/1746847719881703\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Barnouw E (1981) The Magician and the Cinema. Oxford: Oxford University Press. Crafton D (1982) Before Mickey: The Animated Film, 1898–1928. Cambridge, MA: MIT Press. Gunning T (1989) An aesthetic of astonishment: Early film and the (in)credulous spectator. Art and Text 34, Spring: 31–45. Holliday C (2018) The Computer-Animated Film: Industry, Style and Genre. Edinburgh: Edinburgh University Press. Lutz EG (1920) Animated Cartoons: How They Are Made, Their Origin and Development. London: Chapman & Hall. Sexton M (2017) Secular Magic and the Moving Image: Mediated Forms and Modes of Reception. London: Bloomsbury. Solomon M (2010) Disappearing Tricks: Silent Film, Houdini, and the New Magic of the Twentieth Century. Urbana: University of Illinois Press. Williamson C (2011) The blow book, performance magic, and early animation: Mediating the living dead. Animation 6(2): 111–126. DOI: 10.1177/1746847711405101.\",\"PeriodicalId\":43271,\"journal\":{\"name\":\"Animation-An Interdisciplinary Journal\",\"volume\":\"14 1\",\"pages\":\"255 - 257\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2019-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1177/1746847719881703\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Animation-An Interdisciplinary Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/1746847719881703\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Animation-An Interdisciplinary Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/1746847719881703","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Book review: Toy Story: How Pixar Reinvented the Animated Feature
Barnouw E (1981) The Magician and the Cinema. Oxford: Oxford University Press. Crafton D (1982) Before Mickey: The Animated Film, 1898–1928. Cambridge, MA: MIT Press. Gunning T (1989) An aesthetic of astonishment: Early film and the (in)credulous spectator. Art and Text 34, Spring: 31–45. Holliday C (2018) The Computer-Animated Film: Industry, Style and Genre. Edinburgh: Edinburgh University Press. Lutz EG (1920) Animated Cartoons: How They Are Made, Their Origin and Development. London: Chapman & Hall. Sexton M (2017) Secular Magic and the Moving Image: Mediated Forms and Modes of Reception. London: Bloomsbury. Solomon M (2010) Disappearing Tricks: Silent Film, Houdini, and the New Magic of the Twentieth Century. Urbana: University of Illinois Press. Williamson C (2011) The blow book, performance magic, and early animation: Mediating the living dead. Animation 6(2): 111–126. DOI: 10.1177/1746847711405101.
期刊介绍：
Especially since the digital shift, animation is increasingly pervasive and implemented in many ways in many disciplines. Animation: An Interdisciplinary Journal provides the first cohesive, international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice. The journal"s scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future.
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