历史学家的眼光

Matthew Frye Jacobson
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摘要

2009年至2013年间,当美国考虑巴拉克·奥巴马的历史性选举并承受大衰退的影响时,马修·弗莱·雅各布森(Matthew Frye Jacobson)带着相机出发,探索和记录在这段动荡时期“历史学家的眼睛”所能察觉到的东西。在收集了数千张图像后,雅各布森开始反思它们原始的、非正式的即时性,同时认识到它们构成了一个具有毋庸置疑历史意义的时刻的档案。这本书展示了100多幅图像,以及雅各布森对他们创作时刻的回忆,以及他对他们如何联系过去、现在和未来的理解。这些图像揭示了公民参与的不同表达,象征着美国历史上这一时期的愿望、期望、承诺和失败。无数关闭的企业和废弃的店面成为普遍苦难的公共纪念碑;无处不在、充满期待的奥巴马肖像表达了对新的国家叙事的渴望;华丽的街头剧场和扭曲的标志标志着一种回归权力的普遍冲动。在一篇介绍性文章的框架下,这些图像反映了一个看似危险的时代的冷静优雅,但在这个时代,“希望”并没有停止意义。
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The Historian’s Eye
Between 2009 and 2013, as the nation contemplated the historic election of Barack Obama and endured the effects of the Great Recession, Matthew Frye Jacobson set out with a camera to explore and document what was discernible to the "historian's eye" during this tumultuous period. Having collected several thousand images, Jacobson began to reflect on their raw, informal immediacy alongside the recognition that they comprised an archive of a moment with unquestionable historical significance. This book presents more than 100 images alongside Jacobson's recollections of their moments of creation and his understanding of how they link past, present, and future. The images reveal diverse expressions of civic engagement that are emblematic of the aspirations, expectations, promises, and failures of this period in American history. Myriad closed businesses and abandoned storefronts stand as public monuments to widespread distress; omnipresent, expectant Obama iconography articulates a wish for new national narratives; flamboyant street theater and wry signage bespeak a common impulse to talk back to power. Framed by an introductory essay, these images reflect the sober grace of a time that seems perilous, but in which “hope” has not ceased to hold meaning.
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