艺术品城

Aleksandra Nowak-Gruca
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引用次数: 0

摘要

版权法规定,只有在人类作品的情况下才能考虑版权保护,而在盎格鲁撒克逊体系中,通过引入计算机生成作品的类别,这一原则得到了缓解。如今,我们面临的情况是,首先,我们无法准确地指出保护主体的特征,而版权法正在努力解决一个尚未解决的问题,即将作品与其他对象区分开来。其次,在人工智能、机器人或半机器人等新现象的情况下,很难确定作品的作者。这导致法律效力的不确定性太高。本文的目的是在著作权法中占主导地位的以人类为中心的创作方法的背景下,呈现半机械人艺术家的作品现象。这里的核心问题是作品的版权地位问题,这些问题是由于人类可能性的边界的改变而产生的。
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Cyborg Artwork
Summary The copyright law enshrines the principle that copyright protection can be considered only in the case of works of human origin, which is mitigated in the Anglo-Saxon systems by introducing the category of computer-generated works. Nowadays we are dealing with a situation where, first of all, we are unable to precisely indicate the features of the subject of protection and copyright law grapples with an unresolved problem of distinguishing a work from other objects. Secondly, in the case of new phenomena such as the creation of AI, androids or cyborgs, there are difficulties with attributing the authorship of the work. This results in a too high level of uncertainty of legal effectiveness. The aim of the paper is to present the phenomenon of the work of cyborg artists in the context of the anthropocentric approach to the authorship of the work, which is dominant in copyright law. The central problem here is the question of the copyright status of works that arise as a result of shifting the boundaries of human possibilities.
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发文量
9
审稿时长
12 weeks
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