捕捉鲨鱼。白色(生态)男子气概与博士远征中的科学追求

IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS AAA-ARBEITEN AUS ANGLISTIK UND AMERIKANISTIK Pub Date : 2023-03-31 DOI:10.24053/aaa-2022-0014
Michael Fuchs
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引用次数: 0

摘要

《大白鲨探险》是一部纪录片,讲述了一支由专业渔民和科学家组成的团队对大白鲨进行研究的故事。本文探讨了该系列的三个相互关联的维度。首先,尽管该系列一再表明,在镜头前采取的行动最终是为了研究和保护大白鲨,对渔民和科学家来说,鲨鱼的福祉是最重要的,但这种男性关怀不仅受到对鲨鱼新科学见解的追求,而且也融入了竞争的话语中。其次,这种对新知识的追求是用男性化的术语来编码的,因为传统的男性化观念(即面对和捕捉危险的动物以及取得科学进步)从动物的福祉以及最终的保护角度进行了重新协商。最后,虽然前两个维度表明了人类控制自然世界的愿望,但被标记鲨鱼的数字生活挑战了人类的控制。
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Capturing the Shark. White (Eco-)Masculinity and the Pursuit of Science in the Docuseries Expedition Great White
Expedition Great White is a docuseries that follows a crew composed of professional fishermen and scientists who conduct studies about great white sharks. This article explores three interrelated dimensions of the series. First, while the series repeatedly suggests that the actions performed in front of the cameras ultimately aim to study and protect great whites and that for both the fishermen and scientists, the well-being of sharks is of the highest priority, this masculine care is not only subjected to the pursuit of new scientific insights about sharks but also embedded in a discourse of competition. Second, this pursuit of new knowledge is coded in masculine terms, as traditional notions of masculinity (i.e., confronting and catching the dangerous animal as well as making scientific progress) become re-negotiated in view of the animals’ well-being and, ultimately, their protection. Finally, while the first two dimensions bespeak the desire for human control of the natural world, the digital lives of tagged sharks challenge this human control.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
7
期刊介绍: The journal’s main purpose is to demonstrate and celebrate the diversity of English and American Studies, providing a medium for its different branches, especially in the Central European academic context (but not restricted to it). Topics thus range from literary studies to linguistics, from theoretical to applied, from text-focused to culturally-oriented, from novel to film, from textual to contextual, from England to Australia and from the USA to South Africa.
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