{"title":"看不到什么，继续前行：从奥尔德斯·赫胥黎的《勇敢的新世界》看幽默","authors":"Kenneth Eckert","doi":"10.7560/tsll65302","DOIUrl":null,"url":null,"abstract":"ABSTRACT:Is there anything new left to say about Huxley’s Brave New World ninety years later? The novel has been analyzed for its sociopolitical predictions, read against 1984, and examined for its satire of Wells and Ford. Common to such approaches is the assumption that the World State is as abhorrently stable as the narrative claims. This essay’s argument holds that the World State’s success is counterfactually reported and undermined for parodic effect, and that Brave New World functions as a humorous mock-dystopia.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Nothing to See Here, Move On: A New Look at Humor in Aldous Huxley’s Mock-Dystopic Brave New World\",\"authors\":\"Kenneth Eckert\",\"doi\":\"10.7560/tsll65302\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:Is there anything new left to say about Huxley’s Brave New World ninety years later? The novel has been analyzed for its sociopolitical predictions, read against 1984, and examined for its satire of Wells and Ford. Common to such approaches is the assumption that the World State is as abhorrently stable as the narrative claims. This essay’s argument holds that the World State’s success is counterfactually reported and undermined for parodic effect, and that Brave New World functions as a humorous mock-dystopia.\",\"PeriodicalId\":44154,\"journal\":{\"name\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/tsll65302\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/tsll65302","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"LITERATURE","Score":null,"Total":0}
Nothing to See Here, Move On: A New Look at Humor in Aldous Huxley’s Mock-Dystopic Brave New World
ABSTRACT:Is there anything new left to say about Huxley’s Brave New World ninety years later? The novel has been analyzed for its sociopolitical predictions, read against 1984, and examined for its satire of Wells and Ford. Common to such approaches is the assumption that the World State is as abhorrently stable as the narrative claims. This essay’s argument holds that the World State’s success is counterfactually reported and undermined for parodic effect, and that Brave New World functions as a humorous mock-dystopia.
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