{"title":"边缘的艺术:圣十字教堂,乔治亚州Jvari","authors":"A. Eastmond","doi":"10.1080/00043079.2022.2109388","DOIUrl":null,"url":null,"abstract":"Abstract Jvari, the Church of the Holy Cross, overlooking the old capital of Georgia, Mtskheta, is a building that is literally and metaphorically on the edge. It is a liminal monument that crosses borders but also creates them. The church lies at the heart of Georgia’s Christian history, but in the seventh century it lay on the frontier between the Byzantine and Sasanian empires. Architecturally it belongs to a group of churches found across the Caucasus, but it has often been promoted as an exclusively Georgian monument. Jvari is a single monument that illuminates issues in transnational history, and the changing roles of a building in the creation of identities in the early Middle Ages.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"64 - 92"},"PeriodicalIF":0.4000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Art on the Edge: The Church of the Holy Cross, Jvari, Georgia\",\"authors\":\"A. Eastmond\",\"doi\":\"10.1080/00043079.2022.2109388\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Jvari, the Church of the Holy Cross, overlooking the old capital of Georgia, Mtskheta, is a building that is literally and metaphorically on the edge. It is a liminal monument that crosses borders but also creates them. The church lies at the heart of Georgia’s Christian history, but in the seventh century it lay on the frontier between the Byzantine and Sasanian empires. Architecturally it belongs to a group of churches found across the Caucasus, but it has often been promoted as an exclusively Georgian monument. Jvari is a single monument that illuminates issues in transnational history, and the changing roles of a building in the creation of identities in the early Middle Ages.\",\"PeriodicalId\":46667,\"journal\":{\"name\":\"ART BULLETIN\",\"volume\":\"105 1\",\"pages\":\"64 - 92\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ART BULLETIN\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00043079.2022.2109388\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ART BULLETIN","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00043079.2022.2109388","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Art on the Edge: The Church of the Holy Cross, Jvari, Georgia
Abstract Jvari, the Church of the Holy Cross, overlooking the old capital of Georgia, Mtskheta, is a building that is literally and metaphorically on the edge. It is a liminal monument that crosses borders but also creates them. The church lies at the heart of Georgia’s Christian history, but in the seventh century it lay on the frontier between the Byzantine and Sasanian empires. Architecturally it belongs to a group of churches found across the Caucasus, but it has often been promoted as an exclusively Georgian monument. Jvari is a single monument that illuminates issues in transnational history, and the changing roles of a building in the creation of identities in the early Middle Ages.
期刊介绍:
The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December