潜水考古:保罗·卡特与意大利的交往

IF 0.1 0 LITERATURE Simplegadi Pub Date : 2018-11-01 DOI:10.17456/SIMPLE-110
P. Carter, Roberta Trapè
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引用次数: 0

摘要

多产的澳大利亚作家和艺术家保罗·卡特(1951-)对殖民文化及其后殖民前景的重新概念化做出了重要贡献。作为一名艺术家和场所创造者,他的作品被广泛发表和研究。然而,支持他的学术和创造性作品的重要的意大利参与并没有得到广泛的研究。本文试图纠正这一遗漏。它按时间顺序概述了卡特四十年来与意大利城市主义、艺术和哲学的关系。它还分离了关键主题:群岛的地方感,回声模仿的交流原则,以及植根于“在那个地方自我成为”概念的移民认识论,这可以有效地与卡特未完成的返回意大利的过程联系起来,这是一个重复遭遇的过程,相当于詹巴蒂斯塔·维科的历史故事。
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Archaeologies of Diving: Paul Carter’s Engagement with Italy
The prolific Australian author and artist, Paul Carter (1951-) has made an important contribution to the reconceptualisation of colonial cultures and their postcolonial prospects. As an artist and place-maker, his work is widely published and studied. However, the important Italian engagement underwriting his scholarly and creative production has not been widely studied. This article attempts to rectify the omission. It offers a chronological overview of Carter's forty-year engagement with situations in Italian urbanism, art and philosophy. It also isolates key themes: archipelagic sense of place, echoic mimetic communicational principles, and a migrant epistemology rooted in the notion of 'self-becoming at that place', which can be productively linked to Carter's unfinished return to Italy, a process of repeated encounter that is a biographical equivalent of Giambattista Vico's historical ricorso.
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Simplegadi
Simplegadi LITERATURE-
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