2022魔方节

IF 0.4 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS Computer Music Journal Pub Date : 2021-09-01 DOI:10.1162/comj_r_00619

DJ Malinowski

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引用次数: 0

摘要

8月19日至21日，2022立方体空间音乐节在弗吉尼亚州布莱克斯堡举行。它是由莫斯艺术中心、创意、艺术和技术研究所、人文中心和自行车74赞助的。组委会成员包括联合导演Tyechia Thompson和Eric Lyon，以及Sara M. Johnson、Margaret Lawrence、Dylan Parker和Tanner Upthegrove，技术委员会成员包括Tanner Upthegrove、Brandon Hale和Gustavo Araoz。音乐节的七场音乐会和主题演讲包括通过国际作品征集选出的来自世界各地的艺术家和学者。汤普森和里昂的艺术愿景是邀请所有声音进入尖端的音频研究设施，如立方体，一个四层的黑盒子剧院，配有149.6扬声器系统，动作捕捉系统

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Cube Fest 2022

The Cube Fest 2022 spatial music festival took place in Blacksburg, Virginia, between August 19 and 21. It was sponsored by the Moss Arts Center, the Institute for Creativity, Arts, and Technology, the Center for Humanities, and Cycling ’74. The Organizing Committee included codirectors Tyechia Thompson and Eric Lyon, as well as Sara M. Johnson, Margaret Lawrence, Dylan Parker, and Tanner Upthegrove, with a Technical Committee consisting of Tanner Upthegrove, Brandon Hale, and Gustavo Araoz. The festival’s seven concerts and keynote address included artists and scholars from across the globe selected through an international call for works. Thompson’s and Lyon’s artistic vision is to invite all sounds into cutting-edge audio research facilities—such as the Cube, a fourstory black box theater with a 149.6 speaker system, motion capture sys-

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来源期刊

Computer Music Journal 工程技术-计算机：跨学科应用

CiteScore

1.80

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound. Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include: In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music Reports on products of interest, such as new audio and MIDI software and hardware Interviews with leading composers of computer music Announcements of and reports on conferences and courses in the United States and abroad Publication, event, and recording reviews Tutorials, letters, and editorials Numerous graphics, photographs, scores, algorithms, and other illustrations.